Fernando Sor, Norbert Kraft's ' "24 Progressive Lessons, Op. 31: No. 7 in E Major" was released on its scheduled release date, August 12, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "Sor: 24 Progressive Lessons, Op. 31 - 6 Little Pieces, Op. 32". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 24 Progressive Lessons, Op. 31: No. 7 in E Major's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 24 Progressive Lessons, Op. 31: No. 7 in E Major by Fernando Sor, Norbert Kraft having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carcassi op.26 n.6 allegro non troppo | Matteo Carcassi, Lucio Matarazzo | A Major | 2 | 11B | 93 BPM | ||
| Guitar Suite No. 1: III. Into a Clearing | Peter Scott Lewis | G Minor | 0 | 6A | 94 BPM | ||
| Etudes, Op. 60: Study No. 10, Allegretto | Matteo Carcassi, Tariq Harb | D Major | 3 | 10B | 167 BPM | ||
| 13 Catalan Folksongs: El mestre | Miguel Llobet Solés, Lorenzo Micheli | A Minor | 0 | 8A | 58 BPM | ||
| Tango Argentino | David Tutmark | A Major | 2 | 11B | 158 BPM | ||
| Pacific Sunrise | James Lentini | A Major | 0 | 11B | 158 BPM | ||
| Suite - Arranged by Göran Söllscher: 1. Allemande | Johann Anton Logy, Göran Söllscher | B♭ Major | 0 | 6B | 109 BPM | ||
| Homenaje a Tarrega, Op. 69: II. Soleares | Joaquín Turina, Pablo Sainz Villegas | D Major | 1 | 10B | 100 BPM | ||
| Cinco Preludios: V. Candombe en mi | Maximo Diego Pujol, Arash Ahmadi | E Minor | 1 | 9A | 68 BPM | ||
| Lob der Traenen | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Guitar by Tristan Manoukian) | Maurice Ravel, Steve Cowan | E Minor | 0 | 9A | 94 BPM | ||
| III Danza en la noche (de Suite de Valencia) | Antonio Chover Salom, Carlos Blanco Ruiz | E Major | 0 | 12B | 77 BPM | ||
| 5 Bagatelles: IV. Sempre espressivo | William Walton, Ana Vidovic | B Minor | 0 | 10A | 117 BPM | ||
| Prelude & Dance: Prelude | Jorge Morel, Celil Refik Kaya | E Minor | 0 | 9A | 94 BPM | ||
| 5 Preludios: No. 3, Tristango en Vos | Maximo Diego Pujol, Jason Vieaux | E Minor | 1 | 9A | 91 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | B Major | 2 | 1B | 166 BPM | ||
| Le Roy: A Briefe and Easye Instruction to Learne the Tabetre: Passemèze | Adrian Le Roy, Turibio Santos | C Major | 2 | 8B | 107 BPM | ||
| Tres piezas espanolas: Fandango | Joaquín Rodrigo, Cristina Galietto | A Major | 0 | 11B | 75 BPM | ||
| Sonata D Major, Op. 61: 1. Allegro | Joaquin Turina, Klaus Jäckle | G Major | 1 | 9B | 76 BPM | ||
| Choix de mes fleurs chéries, Op. 46: No. 4, Le Jasmin | Mauro Giuliani, Mats Bergström | D Major | 6 | 10B | 130 BPM | ||
| Suite populaire brésilienne, W020: No. 1, Mazourka-choro | Heitor Villa-Lobos, Andrea de Vitis | A Minor | 2 | 8A | 84 BPM | ||
| De Visée / Transcr. Garcia: Pèces de théorbe et de luth, Suite en la mineur: I. Prélude | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 85 BPM | ||
| Just Passing By | Billy Arcila | A Major | 1 | 11B | 145 BPM | ||
| Lauro: Romanza | Antonio Lauro, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| 9 Progressive Exercises & 3 Studies, Op. 40: No. 8, Andante | Leonard Schultz, David Leisner | D Major | 0 | 10B | 98 BPM |