Teddy Grace, Charlie Shavers's ' "Graveyard Blues" was released on its scheduled release date, 1993. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Graveyard Blues's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Teddy Grace 1937-1940". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Graveyard Blues's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Graveyard Blues by Teddy Grace, Charlie Shavers having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ain't Misbehavin' | Maxine Sullivan | C Major | 3 | 8B | 129 BPM | ||
| You Can Count On Me | Ivie Anderson, Duke Ellington | F Major | 1 | 7B | 135 BPM | ||
| One Dozen Roses | Connee Boswell | A Minor | 2 | 8A | 93 BPM | ||
| Margie | Jimmie Lunceford | B Minor | 2 | 10A | 143 BPM | ||
| The One Rose (That's Left In My Heart) | Bea Wain | A♭ Major | 1 | 4B | 180 BPM | ||
| It Ain't Right | Bunny Berigan, Dick McDonough & His Orchestra | C Major | 3 | 8B | 110 BPM | ||
| Snuggled On Your Shoulder (Cuddled In Your Arms) | Kay Starr | B♭ Major | 1 | 6B | 67 BPM | ||
| If I Only Had You (12- ?-45) | Valaida Snow | B♭ Major | 1 | 6B | 86 BPM | ||
| He's Funny That Way (early 04-46) | Benny Carter | A Minor | 1 | 8A | 76 BPM | ||
| After I Say I`m Sorry | Jean Goldkette | G Major | 1 | 9B | 93 BPM | ||
| Love Me or Leave Me | Teddy Grace | B Minor | 1 | 10A | 96 BPM | ||
| My Daddy's Calling Me | Irene Scruggs | C Major | 2 | 8B | 82 BPM | ||
| Come On Over To My House | Julia Lee And Her Boyfriends | E Minor | 2 | 9A | 139 BPM | ||
| Oh, You Crazy Moon | Bea Wain | C Major | 3 | 8B | 110 BPM | ||
| Whispering | The Kordt Sisters | G Minor | 2 | 6A | 105 BPM | ||
| I'm Gonna Sit Right Down and Write Myself a Letter | Mound City Blue Blowers | E Major | 3 | 12B | 95 BPM | ||
| Skin 'em Back (03-01-39) | Skeets Tolbert | E Minor | 2 | 9A | 75 BPM | ||
| I Got a Very Hairy Bush (Rare 1940S Song) | SuS Records | C Major | 5 | 8B | 136 BPM | ||
| Too Marvelous for Words | Dick Robertson And His Orchestra | F Minor | 3 | 4A | 207 BPM | ||
| Fools Rush In | Bob Eberly with Jimmy Dorsey and His Orchestra | C Minor | 3 | 5A | 126 BPM | ||
| Street of Dreams | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| The Parlor Is a Pleasant Place to Sit on Sunday Night | Frank Crumit | C Major | 3 | 8B | 110 BPM | ||
| I Get Along Without You Very Well | Lew Stone | C Major | 1 | 8B | 122 BPM | ||
| You Gotta Ho-Di-Ho - To Get Along with Me | Cab Calloway | F Minor | 3 | 4A | 116 BPM | ||
| It's A Wonderful World | Jan Garber, Fritz Heilbron, Tommy Traynor | A♭ Major | 2 | 4B | 127 BPM |