Alfonso Santisteban, Rafael Ferro's ' "Las Dos Se Llaman María" was released on its scheduled release date, January 15, 1969. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 12 in Flamenco Pop by Alfonso Santisteban, Rafael Ferro. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Las Dos Se Llaman María is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Las Dos Se Llaman María by Alfonso Santisteban, Rafael Ferro is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bossa Per Strada | Marchio Bossa | F Minor | 5 | 4A | 103 BPM | ||
| Dear Heart | Henrry Mancini, Ray Evans, Jay Livingston, Orquestra Românticos de Cuba | D Major | 3 | 10B | 99 BPM | ||
| Caruaru Evening | Nuvoluxe | G Major | 9 | 9B | 130 BPM | ||
| Antena | Isabelle Antena | B Major | 6 | 1B | 115 BPM | ||
| Bossa al bar | Berto Pisano, Nini Rosso e il Suo Complesso | D Minor | 4 | 7A | 110 BPM | ||
| Samba en Silencio | RICARDO BOSANOVA | D♭ Major | 7 | 3B | 158 BPM | ||
| Dolce ombra | Angel Pocho Gatti e la sua grande orchestra | G Major | 9 | 9B | 122 BPM | ||
| Latin Shadows | Shirley Scott | B♭ Minor | 4 | 3A | 121 BPM | ||
| Malincunia | Walter Ricci | G Major | 9 | 9B | 130 BPM | ||
| Salty Lullaby | Ocean in Stereo | E♭ Major | 2 | 5B | 120 BPM | ||
| Persecución | Alfonso Santisteban | D Minor | 7 | 7A | 116 BPM | ||
| When I'm Gone | Dave Pike | C Minor | 5 | 5A | 111 BPM | ||
| Soft Lights and Music | Gordon Rees | A Minor | 3 | 8A | 131 BPM | ||
| Morning Fruit Song | Clara Mendes | A Minor | 3 | 8A | 130 BPM | ||
| Amore in Piccadilly - 4° Version | Peppino De Luca | B Minor | 3 | 10A | 109 BPM | ||
| Offwhite Riviera | Ocean in Stereo | F Major | 3 | 7B | 135 BPM | ||
| Escapada en Fuerabordo | Nora Orlandi, Stelvio Cipriani | G Major | 4 | 9B | 97 BPM | ||
| Conrad's Theme (Bossa) | Jay Israelson, Tatum Greenblatt | A♭ Major | 5 | 4B | 136 BPM | ||
| Blue Bahia Nights | Carioca Lounge | E Minor | 6 | 9A | 88 BPM | ||
| Cariñosamente | Alfonso Santisteban | B Minor | 4 | 10A | 173 BPM | ||
| Rise Brew | GreenLife Café | G Minor | 3 | 6A | 74 BPM | ||
| I Look for You in the Wind | Resonique | D♭ Major | 1 | 3B | 88 BPM | ||
| Full Moon High | Edu Helou | B Minor | 5 | 10A | 118 BPM | ||
| Maré Suave | Sunset Bossa Collective | C Major | 6 | 8B | 129 BPM | ||
| Chica do Verão - Latin Beat | The Addy Flor Orchestra | F Minor | 6 | 4A | 88 BPM |