"Aria" by Oh Hiroshima had its release date on November 6, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Oh Hiroshima's "In Silence We Yearn" album is number 5 out of 6. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Aria is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Aria by Oh Hiroshima to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| in orbit | the abyss inside us | A Minor | 4 | 8A | 125 BPM | ||
| Zenith | A Swarm Of The Sun | B Minor | 4 | 10A | 120 BPM | ||
| These Depths Were Always Meant for Both of Us | A Swarm Of The Sun | B Minor | 4 | 10A | 90 BPM | ||
| DBT | Meniscus | F Minor | 7 | 4A | 125 BPM | ||
| Untouched | Alcest | F Minor | 5 | 4A | 106 BPM | ||
| Horizon Collapse | The Tremolo Union | B Minor | 9 | 10A | 115 BPM | ||
| Catelepsy | Lost in Kiev | A♭ Minor | 8 | 1A | 175 BPM | ||
| Hope, Fights & Disillusions | Lost in Kiev | F Minor | 8 | 4A | 76 BPM | ||
| Queue Up For Infinity | April Rain | G Minor | 4 | 6A | 105 BPM | ||
| Internal Landscapes | Anathema | A♭ Major | 3 | 4B | 131 BPM | ||
| Fortuna | Egoera | E Minor | 8 | 9A | 107 BPM | ||
| Lilitu | Blueneck | C Major | 2 | 8B | 125 BPM | ||
| Tendresse | Man Is Not a Bird | B Minor | 7 | 10A | 123 BPM | ||
| A Gallant Gentleman | We Lost The Sea | D♭ Major | 2 | 3B | 110 BPM | ||
| C.C.S. Logbook | The Evpatoria Report | D Minor | 5 | 7A | 133 BPM | ||
| My Dreams Are Lights in the Sky | Heretoir | B Minor | 9 | 10A | 120 BPM | ||
| ascend | The End Of The Ocean | D Major | 5 | 10B | 108 BPM | ||
| Chasing the Rain | Carved Into the Sun | E♭ Minor | 3 | 2A | 99 BPM | ||
| Tower | Ranges | C Major | 4 | 8B | 94 BPM | ||
| King Nine | Blueneck | A♭ Major | 5 | 4B | 116 BPM | ||
| Run Dry | Caspian | D Minor | 1 | 7A | 110 BPM | ||
| Sacrifice | Collapse Under The Empire | C Major | 7 | 8B | 90 BPM | ||
| Mirrors | Lost in Kiev | D♭ Minor | 8 | 12A | 180 BPM | ||
| Seven | Blueneck | G Minor | 7 | 6A | 127 BPM | ||
| In Amber | Maybeshewill | D♭ Major | 8 | 3B | 142 BPM |