"Where the Time Went" by Ex:Re had its release date on November 30, 2018. Where the Time Went is explicit and may not be suitable for children. With the duration being about 4:10, this song is close to the average duration of a typical track. The song is number 1 out of 10 in Ex:Re by Ex:Re. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Where the Time Went's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Where the Time Went by Ex:Re is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| True Love | WILDES | A Major | 6 | 11B | 78 BPM | ||
| Suspirium | Thom Yorke | D♭ Minor | 2 | 12A | 151 BPM | ||
| Bayou | Mountains of the Moon | E Major | 3 | 12B | 124 BPM | ||
| Pretty Face | Sóley | G Minor | 4 | 6A | 120 BPM | ||
| Metal Heart | Cat Power | F♯ Major | 3 | 2B | 115 BPM | ||
| Dancefloor | Mary Glenn | F♯ Major | 0 | 2B | 122 BPM | ||
| Black Flies | Ben Howard | A♭ Major | 4 | 4B | 132 BPM | ||
| Jesus Said | Hilary Woods | E♭ Minor | 5 | 2A | 124 BPM | ||
| Fool's Gold | S. Carey | A Major | 3 | 11B | 130 BPM | ||
| Yntoo | Wilsen | G Minor | 5 | 6A | 137 BPM | ||
| Into the Cold | Anna Leone | F♯ Major | 2 | 2B | 104 BPM | ||
| Pallid Eyes | Emily Jane White | B Minor | 4 | 10A | 92 BPM | ||
| Laura | Bat For Lashes | G Major | 2 | 9B | 70 BPM | ||
| Not Everything Was Better In The Past | Fink | D♭ Major | 1 | 3B | 173 BPM | ||
| Maybe Not | Cat Power | A Minor | 1 | 8A | 108 BPM | ||
| When I Say You Are Killing Me | Ten Kills the Pack | C Major | 3 | 8B | 90 BPM | ||
| For a While | Fenne Lily | D Major | 3 | 10B | 130 BPM | ||
| Crushing | Ex:Re, Josephine Stephenson, 12 Ensemble | A♭ Minor | 4 | 1A | 63 BPM | ||
| Nightmares on Repeat | Emily Jane White | D♭ Minor | 5 | 12A | 80 BPM | ||
| Turned | Heather Woods Broderick | D♭ Major | 3 | 3B | 66 BPM | ||
| No Say | Wish You Were Here, Jesse Barnett | E Major | 2 | 12B | 118 BPM | ||
| London Thunder | Tusks | F Minor | 1 | 4A | 183 BPM | ||
| Save Us from Ourselves | Digital Daggers | D Major | 4 | 10B | 120 BPM | ||
| Made of Stone | Daughter | D Major | 3 | 10B | 137 BPM | ||
| Enter One | Sol Seppy | B♭ Major | 1 | 6B | 136 BPM |