Sri Sathya Sai Bhajans's ' "Pibare Rama Rasam" was released on its scheduled release date, September 5, 2023. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Pibare Rama Rasam's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 39 in Baba Sings Sri Sathya Sai Bhajans by Sri Sathya Sai Bhajans. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Pibare Rama Rasam's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Pibare Rama Rasam by Sri Sathya Sai Bhajans is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hara Hara Hara Hara Samba Shiva | Sri Sathya Sai Bhajans | E Major | 5 | 12B | 139 BPM | ||
| Shivaya Parameshwaraya | Sri Sathya Sai Bhajans | E♭ Minor | 7 | 2A | 125 BPM | ||
| Shri Satrunjaya Hanumatstotram | Shri Ravindra, Hari Om Sharan | D♭ Major | 2 | 3B | 83 BPM | ||
| Arihanto Ko Namaskar | Chandana Sen Gupt | E Major | 6 | 12B | 85 BPM | ||
| Kai Aise Dasha | Dnyaneshwar Meshram | A Major | 5 | 11B | 80 BPM | ||
| Tera Diwla Jagmag Hoi | Gyanendra Sharma | A♭ Major | 7 | 4B | 137 BPM | ||
| Radhe Radhe Radhe | Jagadguru Shri Kripalu Ji Maharaj, Sushri Madhuswari Devi | F Minor | 7 | 4A | 83 BPM | ||
| Vishalakshi Maa | Siddharth Mohan | F♯ Minor | 6 | 11A | 117 BPM | ||
| Mata Jagadambe | Sri Sathya Sai International Organization | F Major | 7 | 7B | 110 BPM | ||
| Ambika Tanaya Vinayaka | Dappu Srinu | F Major | 8 | 7B | 104 BPM | ||
| Jaya Lambodara Paahimaam (Prarthana II) | Sri Sathya Sai International Organization | D♭ Major | 5 | 3B | 125 BPM | ||
| Bala Ji Pyare | Bhai Sunil Rawat | G Major | 4 | 9B | 136 BPM | ||
| Hanumantha Dwadashanaama | Puttur Narasimha Nayak | F♯ Major | 6 | 2B | 90 BPM | ||
| Jay Sadguru Swami-Shree Swaminarayan Aarti | Gurukul Chorus | E Major | 5 | 12B | 98 BPM | ||
| Chal Sakhi Kariye Yamunana Pan | Hemant Chauhan | A♭ Major | 4 | 4B | 179 BPM | ||
| Palikeda Srihari | Sri Ganapathy Sachichidananda Swamiji | E Major | 6 | 12B | 170 BPM | ||
| Shiv Swarnamala Stuti | Trupti Dave, Naisha Joshi, Mayur Vaghela | B♭ Minor | 9 | 3A | 105 BPM | ||
| Kishkindha Kand | Atul Purohit | D♭ Major | 5 | 3B | 126 BPM | ||
| O Vishvapati Tara Vishvase | Nidhi Dholakia | A♭ Major | 4 | 4B | 100 BPM | ||
| Sankatmochan Hanumanashtak | Rattan Mohan Sharma | F♯ Minor | 2 | 11A | 123 BPM | ||
| Jai Jai Bhavani Maa | Bhanumathi Narasimhan | B♭ Major | 4 | 6B | 174 BPM | ||
| Mahleká | Thaheer Production, Azum Ghazi, Bramsh Baloch, Mehlab Baloch, Kamal Baloch, Mubarik Dad, Hamal Baloch | F Minor | 6 | 4A | 132 BPM | ||
| Maha Balavant Maya Tamari | Hasmukh Patadia | B Minor | 3 | 10A | 114 BPM | ||
| Ambe Maa | Bhanumathi Narasimhan | E Major | 5 | 12B | 94 BPM | ||
| Swami Samarth Gajar | Kamalakar Tapasvi | C Major | 8 | 8B | 101 BPM |