"Der Bettelstudent: Soll ich reden, darf ich schweigen? Ich setz den Fall" by Carl Millöcker, Hilde Gueden, Rudolf Schock, Robert Stolz had its release date on February 21, 1966. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in Carl Millöcker, Robert Stolz's "Millöcker: Der Bettelstudent (Excerpts)" album is number 10 out of 14. On top of that, Germany appears to be the country where this track was created. Der Bettelstudent: Soll ich reden, darf ich schweigen? Ich setz den Fall is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Bettelstudent: Soll ich reden, darf ich schweigen? Ich setz den Fall by Carl Millöcker, Hilde Gueden, Rudolf Schock, Robert Stolz to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Aus ist's mit der Liebe - Ganz ohne weiber geht die Chose nicht (Boni - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Major | 3 | 8B | 107 BPM | ||
| Der Bettelstudent, Act I: "Einkäufe machen" | Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmytruk, Alexander Joel, Dirk Lohr, Bernd Ander, Mörbisch Festival Choir, Morbisch Festival Orchestra, Uwe Theimer | D Major | 4 | 10B | 94 BPM | ||
| Zwanzinette | Franz Lehár, Wiener Salonorchester | F Major | 3 | 7B | 124 BPM | ||
| Prelude from La Traviata | George Carlaw | A♭ Major | 1 | 4B | 82 BPM | ||
| Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM | ||
| Die Romantiker Op. 167 | Wiener Symphoniker, Max Schönherr | E Major | 4 | 12B | 92 BPM | ||
| Die Dubarry (1999 Digital Remaster): Was ich im Leben beginne | Carl Millöcker, Elisabeth Schwarzkopf, Otto Ackermann, Philharmonia Orchestra, Philharmonia Chorus | F♯ Major | 3 | 2B | 113 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: A lanyok, lanyok, a lanyok angyalok [Feri, Boni, Chorus] | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | D Major | 5 | 10B | 96 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 6 in D Major (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | G Major | 4 | 9B | 168 BPM | ||
| Als flotter Geist – Ja, das alles auf Ehr‘ (From "Der Zigeunerbaron") | Rudolf Schock | G Major | 4 | 9B | 83 BPM | ||
| Frau Luna: Folies-Bergère-Marsch | Rundfunkorchester des Südwestfunks Kaiserslautern, Emmerich Smola | C Major | 5 | 8B | 127 BPM | ||
| Solitude, Op. 174 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | G Major | 1 | 9B | 95 BPM | ||
| Overture in E-Flat Major | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | D Major | 2 | 10B | 125 BPM | ||
| Champagne-Polka, Op. 211 | Johann Strauss II, Vienna Volksoper Orchestra, Alfred Scholz | D Major | 5 | 10B | 125 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| Tiggarstudenten: Om blott detta ber jag dig | Carl Millöcker, Anita Halldén, Sixten Liedbeck, Elisabeth Söderström, Per Grunden, Hans Schreiber, Oscars-Teaterns orkester | G Major | 4 | 9B | 168 BPM | ||
| Hora Stacco | Andre Kostelanetz | E♭ Major | 5 | 5B | 153 BPM | ||
| Chris and the Wonderful Lamp: Jack Tar | John Philip Sousa | F♯ Major | 2 | 2B | 114 BPM | ||
| Der Bettelstudent, Act I: Dialog 3 - Reprise. "Doch eines ich noch nicht verlor" (Palmatica, Laura, Bronislawa, Ollendorf) | Carl Millöcker, Sinfonieorchester des Hessischen Rundfunks, Kurt Schröder, Else Tegetthoff, Betina Brucker, Maria Madlen Madsen, Georg Stern | E♭ Major | 2 | 5B | 53 BPM | ||
| Un ballo in maschera: Overture | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| The White Horse Inn | Robert Gilbert, Robert Stolz, Ralph Benatzky, André Rieu, Johann Strauss Orchester | F Major | 5 | 7B | 81 BPM | ||
| The Bird Seller: "Ich bin der Prodecan" (Instrumental Version) | Carl Zeller, Budapest Philharmonic Orchestra, Janos Sandor | B♭ Major | 1 | 6B | 128 BPM | ||
| Die lustige Witwe: Es lebt eine Vilja (Vilja-Lied) | Franz Lehár, Margit Schramm, Robert Stolz | G Major | 3 | 9B | 88 BPM |