"Lost Sea Voices" by Caroline Dale had its release date on September 1, 2005. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Such Sweet Thunder". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. The popularity of Lost Sea Voices is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lost Sea Voices by Caroline Dale having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Forget | Adam Saunders, Mark Stephen Cousins, Otto Sieben, Mark Cousins, London Studio Orchestra, Pete Harrison, Clio Gould, Caroline Dale | D Minor | 3 | 7A | 144 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Song for Bob | Nick Cave & Warren Ellis | F Major | 2 | 7B | 56 BPM | ||
| Dolce Affetto | Elena Vesova | A Minor | 0 | 8A | 67 BPM | ||
| Life II | Armand Amar | A Minor | 2 | 8A | 119 BPM | ||
| Les retrouvailles | Philippe Rombi | F Minor | 0 | 4A | 62 BPM | ||
| Kintsugi | Dominic Lewis | D Major | 0 | 10B | 88 BPM | ||
| Abandoned | John Paesano | G Minor | 2 | 6A | 65 BPM | ||
| I’m Glad They Found You | Mark Isham | N/A | N/A | N/A | 0 BPM | ||
| Jonathan Goes To Work | Badly Drawn Boy | A Minor | 3 | 8A | 110 BPM | ||
| Andantino From String Quartet Op 10 | Barrington Pheloung | D♭ Minor | 0 | 12A | 81 BPM | ||
| Funeral at Sea | Jeff Danna, Mychael Danna | G Major | 1 | 9B | 116 BPM | ||
| A Different Light | Anne Dudley, The Quartet Of London | E Minor | 2 | 9A | 71 BPM | ||
| A Glorious Existence | Adam Saunders, Mark Cousins, London Studio Orchestra, Pete Harrison, Clio Gould, Caroline Dale | D Minor | 6 | 7A | 144 BPM | ||
| Devil May Care | Adam Saunders, Mark Cousins, London Studio Orchestra, Pete Harrison, Clio Gould, Caroline Dale | D Minor | 3 | 7A | 144 BPM | ||
| Contemporary Period Drama | Adam Saunders, Mark Cousins, London Studio Orchestra, Pete Harrison, Clio Gould, Caroline Dale | A Major | 5 | 11B | 96 BPM | ||
| Interwoven Threads of Chance | Rebecca Daniel, Kanimbla Quartet | A Minor | 2 | 8A | 94 BPM | ||
| ivory morning | eire music | E♭ Major | 1 | 5B | 132 BPM | ||
| Sunflowers | Marios Takoushis | F Minor | 1 | 4A | 87 BPM | ||
| Fading Memories | Pakk Hui | D♭ Minor | 1 | 12A | 140 BPM | ||
| Black Minds | Liliya Kumar, Lofi Chills | A♭ Minor | 2 | 1A | 120 BPM | ||
| A Love Story | Rupert Gregson-Williams | A Minor | 0 | 8A | 108 BPM | ||
| ラ・プリエール | Toshiaki Matsumoto, Diana Yukawa, キャシー湯川, Everton Nelson, Patrick Kiernan, Bruce White, Caroline Dale, Danny Saxon, Andy Wright | F♯ Major | 6 | 2B | 128 BPM | ||
| What Happened | Peter Gregson | C Minor | 3 | 5A | 89 BPM | ||
| Empires of Light | Caroline Dale, Walter Taieb | A Minor | 1 | 8A | 173 BPM |