Thomas Rabenschlag, Robert Gernhardt's ' "Als er sich auf einem stillen Örtchen befand" was released on its scheduled release date, 1988. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Als er sich auf einem stillen Örtchen befand's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 14 in Alles wird anders by Thomas Rabenschlag, Robert Gernhardt. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Als er sich auf einem stillen Örtchen befand is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Als er sich auf einem stillen Örtchen befand by Thomas Rabenschlag, Robert Gernhardt is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ...Ein Tag Aus Dem Leben Des Kleinen Johannes | Franco Battiato | B♭ Minor | 7 | 3A | 135 BPM | ||
| Ich wollte wie Orpheus singen | Söhne Mannheims | D Major | 6 | 10B | 161 BPM | ||
| In Wien | Lusterboden | C Major | 2 | 8B | 130 BPM | ||
| Die Nacht | BlankWeinek | D♭ Minor | 4 | 12A | 84 BPM | ||
| Immer | Thomas Rabenschlag, Max Lässer | F Major | 4 | 7B | 100 BPM | ||
| Großes Wasser | Schandmaul | E Major | 2 | 12B | 138 BPM | ||
| Rein gar nichts | Element Of Crime | G Major | 1 | 9B | 109 BPM | ||
| Straßen endlos weit | Wenzel | G Minor | 1 | 6A | 87 BPM | ||
| In Tyrannis (Von Wand zu Wand sind es vier Schritte) | Reinhard Mey | F Minor | 2 | 4A | 113 BPM | ||
| Wenn Ich Mir Was Wünschen Dürfte | Georgette Dee, Terry Truck | C Minor | 1 | 5A | 96 BPM | ||
| Der letzte Brief | EAV (Erste Allgemeine Verunsicherung) | G Major | 3 | 9B | 184 BPM | ||
| I wü di g’spürn | Stefanie Werger | D Major | 1 | 10B | 86 BPM | ||
| Niemals Wieder - unplugged version | Backwater, Christoph Cremer, Andreas Galk | D♭ Major | 2 | 3B | 72 BPM | ||
| Heldengedenktag | Biermösl Blosn | F Major | 2 | 7B | 107 BPM | ||
| Danke vielmal | Stubete Gäng | E Major | 1 | 12B | 181 BPM | ||
| Der Tod, das muss ein Wiener sein | Georg Kreisler | A♭ Major | 2 | 4B | 99 BPM | ||
| Wenn ihr schlofet | Greg Demo, Bucher | G Major | 9 | 9B | 120 BPM | ||
| Hohl | Max Raabe | D Major | 2 | 10B | 116 BPM | ||
| Im Namen des Wahnsinns - Live | Konstantin Wecker | C Major | 6 | 8B | 115 BPM | ||
| theresiasong | Ursula Strauss, Ernst Molden | A Minor | 2 | 8A | 94 BPM | ||
| Zurück ins Paradies | Die Prinzen | A Major | 2 | 11B | 130 BPM | ||
| Phantom Resonanz | Vincent Peirani, Emile Parisien, Julien Herné, Tony Paeleman, Yoann Serra | D♭ Minor | 0 | 12A | 112 BPM | ||
| Paraglider | vision string quartet | E Major | 3 | 12B | 139 BPM | ||
| Turning Point | Thomas Rabenschlag | G Minor | 1 | 6A | 75 BPM | ||
| Wir schaffen das - Kabarett Edition | Karla Karumms | A♭ Major | 2 | 4B | 122 BPM |