Giuseppe Concone, Xavier Palacios's '50 Lessons, No. 14 in E Minor, Op. 9' had a release date set for June 21, 2014. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 25 in Concone 50 Lessons Op. 9, Part I (1-25) Accompaniments for Medium Voice by Giuseppe Concone, Xavier Palacios. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 50 Lessons, No. 14 in E Minor, Op. 9 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 50 Lessons, No. 14 in E Minor, Op. 9 by Giuseppe Concone, Xavier Palacios is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto, Op. 06, No. 2: IV. Allegro Ma Non Troppo (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | C Major | 0 | 8B | 112 BPM | ||
| Adage 1 in B-Flat Major | Konstantin Mortensen | B♭ Major | 1 | 6B | 145 BPM | ||
| Six pièces très faciles, Op. 52: No. 4 in G Major, Romanze | Johann Nepomuk Hummel, Caroline Almonte | G Major | 1 | 9B | 79 BPM | ||
| Marsala In Suprema | Samantha Penn | A♭ Major | 0 | 4B | 91 BPM | ||
| Kirkkonummi Church | Minntu Floriani | C Major | 0 | 8B | 131 BPM | ||
| Warm Up (Giselle) | Nate Fifield | C Major | 0 | 8B | 112 BPM | ||
| Battement Tendu Simple I | Mario Richter | A♭ Major | 1 | 4B | 119 BPM | ||
| At the bottom | Xavier Mass | E♭ Major | 0 | 5B | 67 BPM | ||
| Memories | Michael Monty | C Major | 0 | 8B | 80 BPM | ||
| ほこら - Piano | IKKI OGUMA | A Minor | 1 | 8A | 129 BPM | ||
| コンコーネ 50番: 28番 Allegro giusto | Giuseppe Concone, 田代和久, 東井美佳 | E Minor | 1 | 9A | 69 BPM | ||
| Piano Sonata No. 17 in B flat major, II. Adagio, KV 570 | Opus Piano | A♭ Major | 7 | 4B | 90 BPM | ||
| Nocturne for No One | vibes and reps | C Major | 0 | 8B | 112 BPM | ||
| River's Reflection | Martin Walker | E♭ Major | 1 | 5B | 104 BPM | ||
| Their Own Tought | Adrian Kolch | F♯ Minor | 1 | 11A | 69 BPM | ||
| Piano Man(Dégagés1) - Cover | Miwa Hoshi | C Major | 3 | 8B | 178 BPM | ||
| Plié C Minor (128) | Jack Lloyd O'Donnell, Wireless Lovebird | C Minor | 2 | 5A | 185 BPM | ||
| 50 Lessons, No. 27 in A-Flat Major, Op. 9 (Melody Added) | Giuseppe Concone, Xavier Palacios | A Major | 1 | 11B | 107 BPM | ||
| Colazione da Lombardi | Giosi Roma | E♭ Major | 1 | 5B | 103 BPM | ||
| Burgmuller: Ave Maria | Franz Burgmüller, SoonHwon Kwon | A Major | 2 | 11B | 79 BPM | ||
| Rond De Jambe: Something Bad | Trisha Wolf | D Major | 1 | 10B | 140 BPM | ||
| Civetta Mount | Tom Adorno | A Major | 0 | 11B | 108 BPM | ||
| Peak Number Twelve | Tom Adorno | A Major | 0 | 11B | 106 BPM | ||
| Battement Fondu 6/8 (Contredanse Op. Posth.) | The Ballet Pianist | F♯ Major | 2 | 2B | 134 BPM | ||
| The Last Dinner | Cecilia Tuomikoski | D♭ Minor | 0 | 12A | 74 BPM |