- BPM
- 119
- Key
- D♭ Major
- Camelot
- 3B
Adagio for Strings - Live by Samuel Barber, Los Angeles Philharmonic, Leonard Bernstein Song Details
"Adagio for Strings - Live" by Samuel Barber, Los Angeles Philharmonic, Leonard Bernstein had its release date on January 1, 2012. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Barber: Adagio – Meisterwerke and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Adagio for Strings - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Adagio for Strings - Live by Samuel Barber, Los Angeles Philharmonic, Leonard Bernstein is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -19.249 dB
- Acousticness
- 93%
- Danceability
- 26%
- Energy
- 17%
- Instrumentalness
- 93%
- Liveness
- 11%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra | E Major | 0 | 12B | 62 BPM | |
 | Spiegel im Spiegel | Arvo Pärt, Anne Akiko Meyers, Kristjan Järvi, Philharmonia Orchestra | F Major | 1 | 7B | 152 BPM | |
 | Rosamunde, D. 797: No. 5, Entracte 3 in B-Flat Major. Andantino | Franz Schubert, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 92 BPM | |
 | Adagio for Strings, Op. 11 | Samuel Barber, Berliner Philharmoniker, Semyon Bychkov | B♭ Minor | 0 | 3A | 66 BPM | |
 | Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | |
 | Korngold -Concerto for Violin and Orchestra in D Major, op.35: I Moderato Nobile | Erich Wolfgang Korngold, James Ehnes, Vancouver Symphony Orchestra, Bramwell Tovey | D Major | 2 | 10B | 177 BPM | |
 | Central Park In The Dark | Charles Ives, New York Philharmonic, Leonard Bernstein | D♭ Major | 3 | 3B | 95 BPM | |
 | String Quartet, Op. 11: II. Molto adagio | Samuel Barber, Ying Quartet | A Minor | 0 | 8A | 79 BPM | |
 | Summer 3 - 2022 | Max Richter, Elena Urioste, Chineke! Orchestra | F Minor | 2 | 4A | 123 BPM | |
 | Nisi Dominus (Psalm 126), R.608: 4. "Cum dederit" (Andante) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | D♭ Major | 0 | 3B | 75 BPM | |
 | Violin Concerto, 2nd mvt. (Arr. Gelgotas) | Philip Glass, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | C Minor | 2 | 5A | 86 BPM | |
 | Carmen Suite No. 2: Nocturne: Andantino molto* (Act III) | Georges Bizet, Leonard Bernstein, New York Philharmonic, David Nadien, William Vacchiano | E♭ Major | 2 | 5B | 100 BPM | |
 | Fauré: Suite de Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. for Cello and Orchestra) | Gabriel Fauré, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | E♭ Major | 1 | 5B | 72 BPM | |
 | Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras | G Minor | 2 | 6A | 117 BPM | |
 | Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | |
 | Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | |
 | Barber: Adagio for Strings, Op. 11 | Samuel Barber, Philadelphia Orchestra, Eugene Ormandy | B♭ Minor | 1 | 3A | 80 BPM | |
 | Divertimento: V. Turkey Trot. Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 82 BPM | |
 | Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | |
 | Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | F♯ Minor | 0 | 11A | 83 BPM | |
 | Violin Sonata: I. Moderato assai | Leonard Bernstein, Opus Two | C Major | 1 | 8B | 117 BPM | |
 | Serenata andaluza | Manuel de Falla, Javier Perianes | D Minor | 1 | 7A | 63 BPM | |
 | Violin Concerto No. 1: I. Crotchet = 104 – Crotchet = 120 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | E Minor | 2 | 9A | 146 BPM | |
 | Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | |
 | Adagio for Strings, Op. 11 | Samuel Barber, London Symphony Orchestra, Andrew Schenck | B♭ Minor | 0 | 3A | 72 BPM |
- ISRC
- DEF058202560
- Label
- L-M Records/RCA Records