George Frideric Handel, Manuel del Corral's 'Fugue in Cm (Arr. Solo Piano by Del Corral)' had a release date set for February 5, 2026. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Fugue in Cm (Arr. Solo Piano by Del Corral)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Piano Transcriptions, Vol. 1". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Fugue in Cm (Arr. Solo Piano by Del Corral) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fugue in Cm (Arr. Solo Piano by Del Corral) by George Frideric Handel, Manuel del Corral having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 33 Variations in C Major, Op. 120 on a Waltz by Diabelli: Var. 31. Largo, molto espressivo | Ludwig van Beethoven, Rudolf Buchbinder | F♯ Minor | 2 | 11A | 114 BPM | ||
| Suite for Orchestra No. 1 in C Major, BWV 1066: Bourrée I & II | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra | A♭ Major | 3 | 4B | 114 BPM | ||
| Jazz Improvisation No.9 | Leo Alfassy, Joanna Sochacka | D Major | 0 | 10B | 71 BPM | ||
| Suite No. 6 in F-Sharp Minor, HWV 431: II. Largo | George Frideric Handel, Danny Driver | G Major | 1 | 9B | 107 BPM | ||
| Jazz Improvisation No. 11 | Leo Alfassy, Joanna Sochacka | C Major | 0 | 8B | 70 BPM | ||
| Suite No. 5 in E Major, HWV 430: III. Courante | George Frideric Handel, Danny Driver | G Major | 1 | 9B | 107 BPM | ||
| Keyboard Sonata in D Major, Wq. 54/5: III. Poco allegro | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 0 | 4A | 81 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 4 in C sharp minor, BWV 849 | Luc Beauséjour | C Minor | 4 | 5A | 134 BPM | ||
| Concerto in F, Op. 4, No.5: II (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | C Major | 1 | 8B | 172 BPM | ||
| Partita No. 2 c minor, BWV 826: Allemanda | Valentina Lisitsa | D Minor | 2 | 7A | 73 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.24 in B minor BWV869 | Daniel Barenboim | B Minor | 0 | 10A | 96 BPM | ||
| Meditatie Psalm 62: Meditatie Psalm 62 | Leander van der Steen, Wilbert Magré | E Minor | 0 | 9A | 144 BPM | ||
| Lieder Ohne Worte. Op. 30, No.3. Consolation - Duo-Art 6527 -1- | Felix Mendelssohn, Beryl Rubinstein, Peter Phillips | C Major | 1 | 8B | 172 BPM | ||
| Sonata in G Minor, Kk. 35: Allegro | Domenico Scarlatti, Claire Huangci | C Major | 1 | 8B | 103 BPM | ||
| Fugue in Gm (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | C Major | 1 | 8B | 172 BPM | ||
| Sonata in A Major K.429 - Duo-Art 68030 -1- | Alessandro Scarlatti, Alfred Kugel, Peter Phillips | C Major | 1 | 8B | 172 BPM | ||
| Lieder Ohne Worte. Op. 67,: No. 4, Spinning Song - Duo-Art 6569 | Felix Mendelssohn, Ignacy Jan Paderewski, Peter Phillips | C Major | 1 | 8B | 172 BPM | ||
| bright daylight | Do Min Woo | G Minor | 3 | 6A | 105 BPM | ||
| Mozart: The London Sketchbook: No. 37, Andante in E-Flat Major, K. 15mm | Wolfgang Amadeus Mozart, Georges Pludermacher | D Major | 3 | 10B | 163 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Suite en Sol Majeur, RCT 6: I. Les tricotets (Rondeau) | Jean-Philippe Rameau, Alexandre Tharaud | G Major | 1 | 9B | 65 BPM | ||
| Suite No. 2 in G Minor, Z. 661: IV. Sarabande - Live | Henry Purcell, Grigory Sokolov | G Minor | 0 | 6A | 133 BPM | ||
| The Seasons, Op. 37a: V. May. Les nuits de mai. Andantino - Excerpt | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | D Minor | 0 | 7A | 106 BPM | ||
| Sonata No. 57, Hob. XVI:47: I. Moderato | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 3 | 8B | 152 BPM | ||
| Variations on a Theme by Robert Schumann, Op. 9: Var. 14, Andante | Johannes Brahms, Mari Kodama | C Major | 1 | 8B | 127 BPM |