The Juliet Massacre's 'Beaten & Killed' had a release date set for May 26, 2015. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Beaten & Killed's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Juliet Massacre's "Human Abuse" album is number 7 out of 11. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Beaten & Killed's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Beaten & Killed by The Juliet Massacre to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Seen Again | Last House On The Left | C Minor | 10 | 5A | 154 BPM | ||
| Digitally Transmitted Disease | King Conquer | D♭ Major | 10 | 3B | 126 BPM | ||
| Buried Beneath | Rose Funeral | D♭ Major | 8 | 3B | 80 BPM | ||
| We'll Sleep Until Sunset | Salt The Wound | B♭ Minor | 9 | 3A | 145 BPM | ||
| Alienation | Xenotheory | B♭ Minor | 10 | 3A | 116 BPM | ||
| Cancrum Oris | Viraemia | F Major | 10 | 7B | 125 BPM | ||
| Empty Eyes | Disfigured Elegance | G Major | 10 | 9B | 120 BPM | ||
| All Roads Lead To Hell | Hester Prynne | C Minor | 10 | 5A | 147 BPM | ||
| Becoming the Nightmare | Suffokate | E♭ Major | 9 | 5B | 145 BPM | ||
| Stopping the Unstoppable | Hunt the Dinosaur | B Major | 9 | 1B | 99 BPM | ||
| Revive the Throne | Stillbirth | A♭ Major | 9 | 4B | 130 BPM | ||
| Force Fed | Suffokate | B Major | 9 | 1B | 125 BPM | ||
| Mortal Drones | A Night In Texas | G Major | 10 | 9B | 135 BPM | ||
| Gutwrencher | Funeral Wake | C Major | 9 | 8B | 160 BPM | ||
| Civic Assault | Waking the Cadaver | D♭ Major | 9 | 3B | 124 BPM | ||
| The Black Page | Animosity | D♭ Major | 9 | 3B | 174 BPM | ||
| Insult to Injury | Waking the Cadaver | E♭ Major | 10 | 5B | 108 BPM | ||
| In Snakes I Bathe | Annotations Of An Autopsy | D♭ Major | 9 | 3B | 94 BPM | ||
| The Anomalies of Artificial Origin | Abominable Putridity | F♯ Major | 10 | 2B | 115 BPM | ||
| Walk The 6 Feet Way | Far From Horizon | E Major | 8 | 12B | 112 BPM | ||
| Dark(ist) | God Of Nothing, Dan Watson | D♭ Major | 10 | 3B | 130 BPM | ||
| Messiah of Manipulation | Acrania | C Major | 8 | 8B | 120 BPM | ||
| The Accidentist | A Different Breed Of Killer | B Minor | 10 | 10A | 135 BPM | ||
| Suffering in a Lake of Solitude | The Juliet Massacre | G Major | 10 | 9B | 120 BPM | ||
| Ruthless Mutilation | Existence Has Failed | E♭ Major | 10 | 5B | 121 BPM |