- BPM
- 138
- Key
- F Major
- Camelot
- 7B
Glory Both Now and Ever (Live) by Annunciation Cathedral Kharkiv Song Details
"Glory Both Now and Ever (Live)" by Annunciation Cathedral Kharkiv had its release date on January 22, 2025. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 6 in the song's album "The Annunciation to the Most Holy Mother of God (Live)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Glory Both Now and Ever (Live)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Glory Both Now and Ever (Live) by Annunciation Cathedral Kharkiv having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 20%
- Loudness
- -19.769 dB
- Acousticness
- 98%
- Danceability
- 25%
- Energy
- 9%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Offertoire "In te speravi" | Choeur de moines de l'Abbaye Notre-Dame de Fontgombault | E Minor | 3 | 9A | 65 BPM | |
 | Graduale: Universi qui te expectant | Marek Klein | D♭ Major | 0 | 3B | 92 BPM | |
 | Troparion to the 'Donskoy' Icon of the Theotokos | Sergiy Zosimovich Trubachov, PaTRAM Institute Male Choir, Vladimir Gorbik | A♭ Major | 2 | 4B | 144 BPM | |
 | Offertoire : Dextera Domini II | Dom André Saint-Cyr, Choeur des moines de l'abbaye Saint Benoit du lac | F Major | 0 | 7B | 83 BPM | |
 | Introitus Quasi Modo Geniti | Consortium Vocale Oslo | G Major | 1 | 9B | 87 BPM | |
 | Orthodox Gregorian Calm Templar Chant | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F♯ Major | 1 | 2B | 83 BPM | |
 | Crux | The Sacred Choir | A♭ Major | 0 | 4B | 91 BPM | |
 | Graduale: Tollite portas | Marek Klein | F Major | 1 | 7B | 83 BPM | |
 | Sanctus (Mass 12) | The Monks Of Belmont Abbey | A Major | 1 | 11B | 129 BPM | |
 | Gloria Excelsis | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 0 | 10B | 134 BPM | |
 | Tempus Fidelitatis Sacrae | Choir Of St. Abuscus, Chants of Eternity | D Minor | 1 | 7A | 76 BPM | |
 | Начало обычное. Трисвятое по отче наш - Молитвы на сон грядущим | Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) | B Major | 2 | 1B | 169 BPM | |
 | Templum Benedictum | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | E♭ Major | 1 | 5B | 100 BPM | |
 | Тропарь, кондак Рождеству Пресвятой Богородицы (Византийский распев) | Византийский Хор Аксион Естин | F Minor | 1 | 4A | 112 BPM | |
 | Doxastikhon of the Praises of Pentecost (Byzantine Chant, Tone 6) | St. Symeon Orthodox Church Ensemble "Antiphony" | G Minor | 2 | 6A | 72 BPM | |
 | Икос - Греческий распев | Хор братии Валаамского монастыря, Иеродиакон Герман (Рябцев) | E♭ Major | 4 | 5B | 102 BPM | |
 | Ως Τον Βασιλέα | Ρωμαίϊκο Σύνολο | B♭ Minor | 3 | 3A | 119 BPM | |
 | Hymn of Kassiane | Saint Vladimir's Seminary Women's Sextet | G Major | 2 | 9B | 101 BPM | |
 | Lumen Caeli Plenissimae | Dom Le Feuvre, Enrico De Capitani, Cantori Gregoriani | B♭ Major | 0 | 6B | 131 BPM | |
 | Calma Interior | Musica Catolica Gregoriana | D Minor | 0 | 7A | 55 BPM | |
 | Sanctum | CaraNua, chuck e. myers 'sea' | E♭ Minor | 2 | 2A | 85 BPM | |
| Angelorum Pontis Cantus | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | C Major | 1 | 8B | 70 BPM | |
 | Offertorium: Ave María, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F♯ Major | 0 | 2B | 80 BPM | |
 | The Annunciation to the Most Holy Mother of God | Kharkiv Folk Ensemble Korzhanok | A♭ Major | 1 | 4B | 80 BPM | |
 | Asperges me vidi aquam | Ennio Morricone | D Major | 3 | 10B | 106 BPM |
- ISRC
- USCGH2590194
- Label
- L-M Records/RCA Records