Richard Marx's 'Through My Veins (Live)' had a release date set for April 26, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 12 in A Night Out With Friends (Live) by Richard Marx. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Through My Veins (Live)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Through My Veins (Live) by Richard Marx is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Could Be the Night | Loverboy | F♯ Major | 9 | 2B | 118 BPM | ||
| Love You Forever | Giuffria | E♭ Major | 7 | 5B | 125 BPM | ||
| After The Hurt Is Gone | Strangeways | A Major | 8 | 11B | 92 BPM | ||
| The End Of The Innocence | Don Henley | A♭ Major | 4 | 4B | 117 BPM | ||
| A Place in the Line | Jude Cole | F♯ Major | 4 | 2B | 104 BPM | ||
| High on You | Survivor | G Major | 7 | 9B | 125 BPM | ||
| I'll Come Running | Lou Gramm | A♭ Major | 8 | 4B | 118 BPM | ||
| Old Soldier | Marc Cohn | D Major | 2 | 10B | 86 BPM | ||
| Whatever It Takes | Harem Scarem | D Minor | 7 | 7A | 173 BPM | ||
| Compared to Nothing | Jude Cole | C Major | 4 | 8B | 68 BPM | ||
| Lonely Won't Leave Me Alone | Glenn Medeiros | D Major | 5 | 10B | 131 BPM | ||
| I Can't Turn Back | Jimi Jamison | D♭ Minor | 7 | 12A | 92 BPM | ||
| Fatal Hesitation | Chris de Burgh | F Major | 4 | 7B | 73 BPM | ||
| This | Rod Stewart | D♭ Major | 4 | 3B | 95 BPM | ||
| Angelia (Acoustic) | Richard Marx | E Minor | 5 | 9A | 121 BPM | ||
| Light Years Away | Jude Cole | D♭ Major | 7 | 3B | 135 BPM | ||
| Baby, It's Tonight | Jude Cole | A Major | 8 | 11B | 121 BPM | ||
| When She Started to Dance | Tony Carey | G Minor | 5 | 6A | 120 BPM | ||
| It's the Way | Berlin | D Minor | 5 | 7A | 88 BPM | ||
| Hands To Heaven | Breathe | A♭ Major | 4 | 4B | 129 BPM | ||
| Truth | RSO | D♭ Minor | 5 | 12A | 96 BPM | ||
| The Color of Monday | Marc Cohn | D Major | 3 | 10B | 102 BPM | ||
| What Other Reason - Acoustic Version | Johnny Hates Jazz | A Minor | 2 | 8A | 120 BPM | ||
| Precious | Dare | F♯ Major | 7 | 2B | 146 BPM | ||
| Lost in Your Eyes | Debbie Gibson | G Major | 6 | 9B | 144 BPM |