Ruggero Leoncavallo, Luciano Pavarotti, Vincenzo Bello, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè's 'Pagliacci / Act 1: "Son qua! Ritornano"' had a release date set for December 3, 1978. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè's "Leoncavallo: Pagliacci" album is number 2 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Pagliacci / Act 1: "Son qua! Ritornano" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 1: "Son qua! Ritornano" by Ruggero Leoncavallo, Luciano Pavarotti, Vincenzo Bello, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saint-Saëns: Samson et Dalila, Act 2: "Samson, recherchant ma présence...Amour! viens aider ma faiblesse!" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | A♭ Major | 2 | 4B | 83 BPM | ||
| Il Trovatore / Act 4: "Prima che d'altri vivere" | Giuseppe Verdi, Joan Sutherland, Luciano Pavarotti, Ingvar Wixell, Marilyn Horne, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 4 | 3A | 90 BPM | ||
| La Gioconda, Op. 9: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
| Turandot / Act 1: "Popoli di Pekino!" | Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
| Il Trovatore / Act 3: "Ah sì ben mio" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 78 BPM | ||
| Norma / Act 2 Scene 1: "Si, fino all’ore estreme" (Critical Ed. Maurizio Biondi and Riccardo Minasi) | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | F Major | 5 | 7B | 135 BPM | ||
| Carmina Burana: Estuans interius | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | A Minor | 2 | 8A | 82 BPM | ||
| Carmen (1997 - Remaster), Act II: Enfin c'est toi!...Tout doux, Monsieur | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Recondita Armonia | Luciano Pavarotti | F Major | 2 | 7B | 176 BPM | ||
| Carmen / Act 1: "La cloche a sonné" | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | G Major | 1 | 9B | 98 BPM | ||
| Candide / Act I: XIV. I Am Easily Assimilated | Leonard Bernstein, Christa Ludwig, London Symphony Orchestra, London Symphony Chorus | D Major | 3 | 10B | 134 BPM | ||
| Dolente Immagine di Fille Mia | Luciano Pavarotti | G Minor | 1 | 6A | 65 BPM | ||
| La bohème, Act I: Pensier profundo! | Giacomo Puccini, Nicolai Ghiaurov, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 87 BPM | ||
| Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | ||
| La Gioconda / Act 1: L'ora non giunse ancor | Amilcare Ponchielli, Montserrat Caballé, Sherrill Milnes, Alfreda Hodgson, John del Carlo, Regolo Romani, Luciano Pavarotti, Agnes Baltsa, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | G Major | 2 | 9B | 110 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "Mon officier c'était une querelle" - "Tra la, la, la, coupe-moi" (Don José, Zuñiga, Carmen, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Nicolas Cavallier, Roberto Alagna, es Éléments, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 83 BPM | ||
| Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
| Il Barbiere di Siviglia: Pace e gioia sia con voi - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
| La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
| Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
| Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F♯ Major | 2 | 2B | 131 BPM | ||
| Il Trovatore / Act 3: "Squilli, echeggi la tromba" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Major | 4 | 12B | 110 BPM | ||
| La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
| Le nozze di Figaro, K.492 / Act 2: "Voi signor, che giusto siete" | Wolfgang Amadeus Mozart, Boje Skovhus, Cheryl Studer, Sylvia McNair, Anna Caterina Antonacci, Carlo Allemano, Ildebrando D'Arcangelo, Lucio Gallo, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
| Die Walküre, WWV 86B, Act I: Winterstürme wichen dem Wonnemond "Siegmund's Love Aria" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM |