"Fragments from a Woman's Diary: XVIII. Distraught" by Ruth Schönthal, Gary Steigerwalt had its release date on January 1, 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 45 in the song's album "Schonthal, R.: Piano Music". In this album, this song's track order is #44. Furthermore, we believe that the track originated from United States. Fragments from a Woman's Diary: XVIII. Distraught is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fragments from a Woman's Diary: XVIII. Distraught by Ruth Schönthal, Gary Steigerwalt having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Techno-Parade | Guillaume Connesson, Anna Miernik, Barbara Borowicz, Martyna Klupś-Radny | A♭ Minor | 2 | 1A | 138 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Martinů: Film en miniature: No. 3, Berceuse | Bohuslav Martinů, Bertrand Chamayou | A♭ Major | 0 | 4B | 175 BPM | ||
| Cello Sonata: II. Capriccio | György Ligeti, Miklós Perényi | G Major | 2 | 9B | 132 BPM | ||
| The Dreams and Prayers of Isaac the Blind: Prelude: Calmo, Sospeso | Osvaldo Golijov, Kronos Quartet | F♯ Minor | 0 | 11A | 88 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM | ||
| Sonata Concertante für Viola oder Klarinette und Klavier (Arr. für Sopransaxophon und Klavier von Kathrin von Kieseritzky): I. Tempo rubato | Ruth Schönthal, Klusa-Duo | G Minor | 0 | 6A | 128 BPM | ||
| Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.1 in C major: Fugue | Dmitri Shostakovich, Vladimir Ashkenazy | A Minor | 0 | 8A | 92 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Játékok, Book I: No. 1b, Prelude and Waltz in C | György Kurtág, Pierre-Laurent Aimard | C Major | 0 | 8B | 138 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Piano Trio No. 3 in A Minor, Op. 26: III. Très lent | Édouard Lalo, Trio Wanderer | C Major | 0 | 8B | 138 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | C Major | 0 | 8B | 138 BPM | ||
| Wildunger Liederzyklus: No. 1, Eine rote Rose | Ruth Schönthal, Catalina Bertucci, Tatjana Dravenau | A Minor | 0 | 8A | 88 BPM | ||
| El Mirar de la Maja | Enrique Granados, Kim Kashkashian, Robert Levin | E♭ Major | 0 | 5B | 99 BPM | ||
| Presto in C Minor, H.230 Wq.114/3 | Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol Gabetta | D♭ Major | 0 | 3B | 146 BPM | ||
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | C Major | 0 | 8B | 138 BPM | ||
| 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
| Piano & Violoncello 26 | Irena And Vojtech Havlovi | E♭ Major | 0 | 5B | 69 BPM | ||
| String Quartet No. 3, "In Memoriam Holocaust": I. Grave | Ruth Schönthal, Bingham Quartet | D Major | 1 | 10B | 80 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Emily — No Prisoner Be: No. 6, I dwell in Possibility | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 0 | 8B | 138 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | C Major | 0 | 8B | 138 BPM | ||
| Verklärte Nacht, Op. 4 - Version For String Sextet: IV. Sehr breit und langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | D Major | 1 | 10B | 86 BPM |