"Lights Out" by Ivor Gurney, Maria Fiselier, Peter Nilsson had its release date on October 31, 2014. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "To Go into the Unknown". In this album, this song's track order is #6. Based on our statistics, Lights Out's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lights Out by Ivor Gurney, Maria Fiselier, Peter Nilsson having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Fair Lady: I Could Have Danced All Night (Piano Reduction) - Live at Metropolitan Opera, New York, 2023 | Frederick Loewe, Lise Davidsen, James Baillieu | C Minor | 1 | 5A | 137 BPM | ||
| Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
| Semele, HWV 58, Act II: Where’er you walk | George Frideric Handel, Allan Clayton, Ian Page | A Major | 1 | 11B | 86 BPM | ||
| Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
| Stabat Mater: Stabat Mater: VII. Eja mater, fons amoris | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | E♭ Major | 2 | 5B | 120 BPM | ||
| The Music Makers, Op. 69: VIII. But we, with our dreaming and singing | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Maktah (berceuse phoque) (Chants de la jungle no.2) | Maurice Delage, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | E♭ Major | 0 | 5B | 128 BPM | ||
| Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM | ||
| 2 Romances, L. 79: No. 2, Les cloches | Claude Debussy, Jerome Ducros, Philippe Jaroussky | G Minor | 0 | 6A | 172 BPM | ||
| Acte I - Tableau I : "Où est Blanche" | Francis Poulenc, Jean-Pierre Marty | D Major | 2 | 10B | 84 BPM | ||
| Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: It is a member of that family | Edward Elgar, Paul Groves, Alice Coote, Sir Mark Elder, Hallé | E♭ Major | 1 | 5B | 114 BPM | ||
| Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
| Balakirev: Embrace, Kiss | Mily Balakirev, Larissa Gergieva, Daniil Shtoda | C Minor | 1 | 5A | 137 BPM | ||
| À Chloris | Reynaldo Hahn, Samuel Mariño, Jonathan Ware | D♭ Minor | 0 | 12A | 61 BPM | ||
| Emily — No Prisoner Be: No. 25, If I can stop one Heart from breaking (on Praetorius "Lo, How a Rose E'er Blooming") | Kevin Puts, Time For Three, Joyce DiDonato | C Minor | 1 | 5A | 137 BPM | ||
| The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Stanford: Songs of Old Ireland: No. 30, Irish Lullaby (Orch. Gamley) | Charles Villiers Stanford, Victoria de los Ángeles, Sinfonia Of London, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 106 BPM | ||
| Poulenc: Le bestiaire, ou le cortège d’Orphée, FP 15: No. 6, La carpe (Chamber Version) | Francis Poulenc, Georges Prêtre, Maryse Charpentier, Orchestre De La Société Des Concerts Du Conservatoire | D♭ Major | 0 | 3B | 141 BPM | ||
| Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
| Sauguet: Berceuse créole | Henri Sauguet, Régine Crespin, John Wustman | E♭ Major | 0 | 5B | 65 BPM | ||
| Mass No. 1 in D Minor, WAB 26: I. Kyrie | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
| Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Down by the Salley Gardens | Ivor Gurney, Julius Drake, Paul Agnew | A♭ Major | 0 | 4B | 76 BPM |