Roger Taylor's 'You Had To Be There' had a release date set for 1994. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. You Had To Be There's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roger Taylor's "Happiness?" album is number 7 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, You Had To Be There's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of You Had To Be There by Roger Taylor to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tonight At The Opera | Opus | D Major | 7 | 10B | 98 BPM | ||
| Pandora's Lullaby - Live | Alphaville, Deutsches Filmorchester Babelsberg | F Major | 4 | 7B | 173 BPM | ||
| The Golden Age of Rock 'n' Roll | Mott The Hoople | F♯ Major | 8 | 2B | 138 BPM | ||
| Heaven's in Here - 1999 Remaster | Tin Machine | E Minor | 8 | 9A | 120 BPM | ||
| Love Is The Hero | Billy Squier, Freddie Mercury | D Major | 8 | 10B | 116 BPM | ||
| Working Class Hero - 1999 Remaster | Tin Machine | G Major | 8 | 9B | 101 BPM | ||
| No Son of Mine | Ray Wilson | D♭ Minor | 9 | 12A | 104 BPM | ||
| The Show Must Go On | Matthew Freeman, Roger Taylor, Brian May, Freddie Mercury, John Deacon, Royal Philharmonic Orchestra | B Minor | 2 | 10A | 168 BPM | ||
| Day Tripper - 2011 Remaster | Whitesnake | B Minor | 6 | 10A | 137 BPM | ||
| Slam the Hammer Down | Slade | A Major | 10 | 11B | 155 BPM | ||
| Calling All Stations - 2007 Remaster | Genesis | E Minor | 7 | 9A | 88 BPM | ||
| Back on Our Home Ground | Francis Rossi | D Major | 7 | 10B | 105 BPM | ||
| Back To The Light | Brian May | C Major | 7 | 8B | 175 BPM | ||
| Hotel California / Only Women Bleed / Knockin' On Heaven's Door - Live In Las Vegas, Thomas & Mack Center - January 25, 1992 | Guns N' Roses | F♯ Major | 8 | 2B | 75 BPM | ||
| Hall Of The Mountain King | Ritchie Blackmore's Rainbow | G Major | 8 | 9B | 164 BPM | ||
| Hijack My Heart - B-Side | Queen | D♭ Major | 7 | 3B | 100 BPM | ||
| Razor's Edge | Meat Loaf | E Minor | 9 | 9A | 132 BPM | ||
| Shadow On The Wall - 12" Single/ 2013 Remaster | Mike Oldfield | G Major | 8 | 9B | 176 BPM | ||
| Script for a Jester's Tear - 1997 Remaster | Marillion | E Major | 5 | 12B | 143 BPM | ||
| The Living Years | Mike + The Mechanics | D♭ Major | 6 | 3B | 98 BPM | ||
| Kings & Queens Of The Underground | Billy Idol | D Major | 6 | 10B | 140 BPM | ||
| Rollin' Over | Brian May | A Major | 10 | 11B | 112 BPM | ||
| Liverpool 8 | Ringo Starr | E Major | 7 | 12B | 102 BPM | ||
| The Truth Won't Fade Away | Procol Harum | F Major | 8 | 7B | 93 BPM | ||
| London Town - Remastered 1993 | Wings | A Major | 3 | 11B | 84 BPM |