Verklärte Nacht, Op. 4 (Version for String Orchestra): I. Grave by Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan Song Details

"Verklärte Nacht, Op. 4 (Version for String Orchestra): I. Grave" by Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 1974. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Schoenberg: Verklärte Nacht; Pelleas und Melisande". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Verklärte Nacht, Op. 4 (Version for String Orchestra): I. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Verklärte Nacht, Op. 4 (Version for String Orchestra): I. Grave by Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 13%
Loudness: -20.727 dB
Acousticness: 80%
Danceability: 11%
Energy: 14%
Instrumentalness: 80%
Liveness: 22%
Loudness: 65%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Eine Alpensinfonie, Op. 64, TrV 233: IV. Eintritt in den Wald	Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan	F Minor	2	4A	71 BPM
Ligeti: Atmosphères	György Ligeti, Jonathan Nott, Berliner Philharmoniker	D♭ Major	1	3B	84 BPM
Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	1	6B	82 BPM
Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): III. Scherzo. Schnell – Trio. Langsamer	Anton Bruckner, Berliner Philharmoniker, Seiji Ozawa	C Minor	1	5A	109 BPM
Madama Butterfly / Act 2: Come una mosca prigionera	Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan	B♭ Minor	1	3A	137 BPM
Symphony No. 1 in C Minor, WAB 101 "Linz" (1866 Version): I. Allegro	Anton Bruckner, Berliner Philharmoniker, Seiji Ozawa	D Major	2	10B	92 BPM
The Planets, Op. 32: I. Mars, the Bringer of War	Gustav Holst, Wiener Philharmoniker, Herbert von Karajan	F Minor	4	4A	72 BPM
Variations for Orchestra, Op. 31: Variation V. Bewegt	Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko	A♭ Major	3	4B	84 BPM
The Planets, Op. 32: 3. Mercury, the Winged Messenger	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	A Major	1	11B	108 BPM
Symphony No.4 In B Flat, Op.60: 4. Allegro ma non troppo	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	2	6B	135 BPM
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes	Olivier Messiaen, Martin Fröst	D♭ Major	2	3B	107 BPM
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	B Minor	1	10A	69 BPM
Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai	Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado	F♯ Major	1	2B	170 BPM
Egmont, Op. 84: Overture	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	F Minor	2	4A	135 BPM
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps	Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen	F♯ Minor	0	11A	97 BPM
Symphony No.4 In B Flat, Op.60: 2. Adagio	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	E♭ Major	0	5B	66 BPM
Pini di Roma, P. 141: II. Pini presso una catacomba	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli	F Minor	0	4A	93 BPM
Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight	Benjamin Britten, London Symphony Orchestra, Steuart Bedford	E♭ Major	0	5B	78 BPM
String Quartet No. 8 in C Minor, Op. 110: I. Largo	Dmitri Shostakovich, Borodin Quartet	C Minor	1	5A	114 BPM
Symphony No. 2 in D Major, Op. 36: IV. Allegro molto	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	143 BPM
Daphnis et Chloé, M. 57, Pt. 1: VI. Nocturne. Danse lente et mystérieuse des Nymphes	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	F Minor	0	4A	78 BPM
Pictures at an Exhibition: The Catacombs (Sepulchrum romanum)	Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan	B Major	2	1B	85 BPM
Transfigured Night, Op. 4: Adagio. Molto tranquillo	Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko	E Minor	0	9A	73 BPM
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	81 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	96 BPM