Sleeping At Last's 'Say' had a release date set for January 1, 2003. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sleeping At Last's "Ghosts" album is number 1 out of 11. Based on our statistics, Say's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Say by Sleeping At Last to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Captive Audience | The Velvet Teen | B Major | 5 | 1B | 104 BPM | ||
| You Waste Time Like A Grandfather Clock | The Myriad | B♭ Minor | 8 | 3A | 160 BPM | ||
| New Hampshire | Matt Pond PA | D♭ Major | 5 | 3B | 124 BPM | ||
| Great Companion | Landon Pigg | B Minor | 4 | 10A | 168 BPM | ||
| Shekina | Blindside | A♭ Major | 7 | 4B | 136 BPM | ||
| While the Fire Was Out | Brighten | F Major | 3 | 7B | 136 BPM | ||
| The Good Days | There Will Be Fireworks | A Major | 1 | 11B | 120 BPM | ||
| Paper Ghost | Courrier | E♭ Major | 6 | 5B | 128 BPM | ||
| Disappearing World | Fair | G Major | 7 | 9B | 180 BPM | ||
| Waking the Dead | Matthew Perryman Jones | B♭ Major | 9 | 6B | 135 BPM | ||
| Break Blossom | As Tall As Lions | D♭ Major | 8 | 3B | 166 BPM | ||
| Something to Hope For | The Undeserving | C Major | 8 | 8B | 170 BPM | ||
| Sore Thumb | The Format | D♭ Minor | 8 | 12A | 80 BPM | ||
| Night Must End | Sleeping At Last | A Major | 9 | 11B | 140 BPM | ||
| Once the Ocean | OWEL | C Major | 8 | 8B | 172 BPM | ||
| Grow Till Tall | Jónsi | D Major | 4 | 10B | 64 BPM | ||
| Some Streets Lead Nowhere | Matthew Ryan | E♭ Major | 3 | 5B | 139 BPM | ||
| A Thousand Winters Melting | The Myriad | B♭ Minor | 8 | 3A | 160 BPM | ||
| Wilderness | Sleeping At Last | G Major | 6 | 9B | 135 BPM | ||
| Slowly, Now | Sleeping At Last | D Major | 6 | 10B | 138 BPM | ||
| When I Hit the Ground | Ace Enders, A Million Different People | A Major | 8 | 11B | 81 BPM | ||
| An Oak Tree Stands Beside A Linden | I Can Make A Mess | E♭ Minor | 5 | 2A | 96 BPM | ||
| Now You're Free | Matthew Mayfield | B♭ Major | 6 | 6B | 61 BPM | ||
| God and Mars | Days Away | C Major | 9 | 8B | 136 BPM | ||
| Steadier Footing | Death Cab for Cutie | B Major | 3 | 1B | 184 BPM |