Master Satbir Singh's ' "Sab Kahan Kahan Ke Yaar Hai" was released on its scheduled release date, October 3, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Pandit Lakhmi Chand Brahamgyaan". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Sab Kahan Kahan Ke Yaar Hai's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sab Kahan Kahan Ke Yaar Hai by Master Satbir Singh having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bebe Main To Ghus Ghus Ke Ne Roo | Narendra Kaushik | E Minor | 9 | 9A | 151 BPM | ||
| Kavishari, Pt. 2 | Bhai Gurlal Singh Ji, Bhai Jugraj Singh Ji, Bhai Mehal Singh Ji | F♯ Major | 6 | 2B | 168 BPM | ||
| Sui Teri Tute Mar Joyo Darji | Rajbala, Nardev | F Major | 9 | 7B | 135 BPM | ||
| Kehde Nath Da Chela Sirr Te Banwariyan | Bunty Qawwal | B♭ Minor | 9 | 3A | 120 BPM | ||
| Teri Saran Me Aagya Baba | Sumit Kalanaur | B Major | 9 | 1B | 118 BPM | ||
| Bich Rahi Choper Saar | Azad Singh Khandakhedi | A Major | 7 | 11B | 74 BPM | ||
| Manushay Janam Le Karke | Master Satbir Singh | D♭ Major | 5 | 3B | 133 BPM | ||
| Phool Manga | Azad Singh Khandakhedi | D Major | 8 | 10B | 79 BPM | ||
| Apne Hatha Mar | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| Ishq Kre Te Kar Har Te | Master Satbir Singh | A♭ Major | 5 | 4B | 141 BPM | ||
| Chithi Likhan Tenu | Nachhatar Chhatta | E Major | 6 | 12B | 99 BPM | ||
| Guru Ramdas Teri Sharan | Bhai Bhupinder Singh Hazuri Ragi | A Major | 7 | 11B | 100 BPM | ||
| Baba Deep Singh Ji, Pt. 1 | Bhai Joga Singh Jogi | B♭ Major | 7 | 6B | 100 BPM | ||
| Ranj Fikar Mein Aadhi Hogi | Ranbir Singh Badhwasniyan | E Minor | 3 | 9A | 115 BPM | ||
| Wo Bhagat Sudama Chaal Padya | Azad Singh Khandakhedi | A Major | 8 | 11B | 142 BPM | ||
| Meri Chatri Ke Niche Aja | Rajender Singh Kharkiya, Madhu Sharma | E♭ Major | 5 | 5B | 107 BPM | ||
| Jorha Lalan Da | Ammna, D Gamme | B Minor | 4 | 10A | 100 BPM | ||
| Hari Singh Kive Banya Nalwa Sardar | Bhai Mehal Singh Ji, Bhai Gurlal Singh Ji, Bhai Jugraj Singh Ji | N/A | N/A | N/A | 0 BPM | ||
| Tere Bina Manne Pardesha Main | Azad Singh Khandakhedi | C Minor | 7 | 5A | 110 BPM | ||
| CO Sahab Maine Chhuti Dede | Bali Sharma | A♭ Minor | 7 | 1A | 76 BPM | ||
| Dasam Pita Shri Guru Gobind Singh Ji da Khapra Teer | Baba Banta Singh Ji MundaPind Wale | E Minor | 3 | 9A | 78 BPM | ||
| Paani Aali | Rajendra Kharkiya | A Major | 6 | 11B | 128 BPM | ||
| Ghar Te Ladke Aaraha | Rajkishan Agwanpuriya, Neelam Chaudhary | A Minor | 5 | 8A | 118 BPM | ||
| Gangster | Rahul Kadyan | A Minor | 7 | 8A | 105 BPM | ||
| Ke Supna Tera Jikar Karu Meiun Sasural Digar Gaya | Rajender Kharkiya | B Major | 6 | 1B | 109 BPM |