"Pleidean Communication" by A Positive Life had its release date on April 4, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Two A.D.". In this album, this song's track order is #5. Based on our statistics, Pleidean Communication's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Pleidean Communication by A Positive Life having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mr Paris's Monsters | Two Lone Swordsmen | A Minor | 6 | 8A | 142 BPM | ||
| Chi-Motion | ANF, Priori, Dust-e-1 | B♭ Minor | 5 | 3A | 110 BPM | ||
| Olivine | Close Up Over | C Major | 8 | 8B | 129 BPM | ||
| Come | Richard H. Kirk | D♭ Major | 5 | 3B | 108 BPM | ||
| Sip From My Chalice | Maara | D♭ Minor | 7 | 12A | 104 BPM | ||
| Sour Fruit | Priori | F♯ Major | 5 | 2B | 125 BPM | ||
| Empathy Dub 3 | Jump Source, Priori, Patrick Holland | D Minor | 6 | 7A | 124 BPM | ||
| Monolith Part Two | Young American Primitive | G Major | 9 | 9B | 130 BPM | ||
| Shove Piggy Shove | LFO | B♭ Major | 3 | 6B | 114 BPM | ||
| Radiance II | Basic Channel | E♭ Major | 5 | 5B | 138 BPM | ||
| Floatation - Subsonic Grid Mix | The Grid, Andrew Weatherall | D♭ Minor | 7 | 12A | 102 BPM | ||
| 3 Nudes Having Sax on Acid | Hawke, Scott Hardkiss | C Major | 8 | 8B | 126 BPM | ||
| 12 O' Clock | The Irresistible Force | F♯ Minor | 4 | 11A | 180 BPM | ||
| Knockout Drops - 200 Proof Mix | Single Cell Orchestra | D♭ Minor | 8 | 12A | 180 BPM | ||
| Azzolini and the Branch Brothers Meet Being | Two Lone Swordsmen | B Minor | 1 | 10A | 111 BPM | ||
| Force | The Detroit Escalator Co. | A Minor | 6 | 8A | 158 BPM | ||
| A New Day | F.U.S.E., Richie Hawtin | D♭ Major | 7 | 3B | 192 BPM | ||
| Dream or Reality | Robert Leiner | F Minor | 3 | 4A | 93 BPM | ||
| Fate | Placid Angles | A♭ Minor | 4 | 1A | 132 BPM | ||
| Telefone 529 | Musicology | D♭ Major | 7 | 3B | 126 BPM | ||
| Dizzying | Gi Gi | B♭ Minor | 4 | 3A | 140 BPM | ||
| Climactic Phase No.3 | Seefeel | E Minor | 8 | 9A | 121 BPM | ||
| Triangle | Sounds From The Ground | A♭ Major | 4 | 4B | 97 BPM | ||
| O'locco - Hyperfloral Thomas Fehlmann Remix | sun electric, Thomas Fehlmann | G Major | 7 | 9B | 109 BPM | ||
| Want 2 - Purelink Remix | Eden Aurelius, Purelink | A♭ Minor | 4 | 1A | 160 BPM |