Pankaj Jaal, Ira Mahanti's ' "Rama Chilkamma" was released on its scheduled release date, June 14, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Oriya Film Hits". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Rama Chilkamma is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Rama Chilkamma by Pankaj Jaal, Ira Mahanti having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| To Hrudaya Tale Mun Kinichi Jami Female | Pragyan Hota | E Major | 9 | 12B | 116 BPM | ||
| Chhota Chhota Rati | Ira Mohanty | G Major | 8 | 9B | 122 BPM | ||
| Muhu Malka Maridelana | UMAKANT BARIK, Saismita Nayak | B♭ Minor | 9 | 3A | 80 BPM | ||
| PAGAL KALA RE | Santanu Sahu | C Minor | 9 | 5A | 158 BPM | ||
| Niti Sakale Tulasi Kunjare Kanhu Dake Dhire Dhire | Ira Mohanty | G Minor | 7 | 6A | 121 BPM | ||
| Bhala Taku Pae Boli | Ratikanta Satpathy | G Major | 7 | 9B | 127 BPM | ||
| Sindura Tope | Rituraj Mohanty, Jyotirmayee Nayak | A Major | 8 | 11B | 108 BPM | ||
| Kalia Heijiba Kaale Tikie Gora | Tanisha Panda, Adyasha Beura | E Minor | 9 | 9A | 159 BPM | ||
| A Manaku Bhulai | Prashant Muduli, Ira Mohanty | B Major | 8 | 1B | 93 BPM | ||
| Bhabara Thakura Sie | IRA MOHANTY, MALAYA MISHRA | A♭ Major | 10 | 4B | 82 BPM | ||
| Sima Mu Tamaku | Abhijeet | F♯ Major | 9 | 2B | 145 BPM | ||
| A Dhanamali Are | Sailabhama Mohapatra | B♭ Minor | 9 | 3A | 141 BPM | ||
| Duniare Jaha Kichhi | Subhasish Mahakud | G Minor | 6 | 6A | 168 BPM | ||
| Tipi Tipi Barsha Topa | Ananya Nanda | C Major | 5 | 8B | 82 BPM | ||
| Ja Re Bewafaa - Original | Kundal K Chhura, Manbi, NA | B♭ Minor | 7 | 3A | 136 BPM | ||
| Sur Jhankarle Pritiche (From "Durga Mhantyat Mala") | Vaishali Samant | D Major | 7 | 10B | 120 BPM | ||
| Ding Dinga | kumar bapi, T. Souri | F♯ Minor | 8 | 11A | 95 BPM | ||
| Jhumi Jhumi Jauchi | Shasank Sekhar | E Major | 8 | 12B | 116 BPM | ||
| To Prema Chhita Re | Debesh Pati, Ira Mohanty | F♯ Major | 9 | 2B | 114 BPM | ||
| Janena Kahin Nijara Lagucha Tame | Arvind Dutta, Ira Mohanty | B♭ Minor | 8 | 3A | 114 BPM | ||
| Dekha Aakasha Pindhichi | Kumar Bapi, Papu Mishra, T Sowri | B Minor | 7 | 10A | 150 BPM | ||
| Bapa Ghare Jhia | Md. Aziz | C Minor | 9 | 5A | 116 BPM | ||
| Barsha Ho Barsha | Ira Mohanty, T. Souri | G Major | 8 | 9B | 87 BPM | ||
| Premare Premare | Sricharan Mohanty, Pammi | B♭ Major | 8 | 6B | 83 BPM | ||
| Rakate Lekhichi Naa | Udit N., Anuradha P. | F Minor | 7 | 4A | 99 BPM |