"Sonata No. 3 in C Major, Op. 5: III. Adagio" by Arcangelo Corelli, Rémy Baudet, Jaap Ter Linden, Mike Fentross, Pieter-Jan Belder had its release date on 2010. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Sonata No. 3 in C Major, Op. 5: III. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 223 out of 336 in Corelli: Complete Edition by Arcangelo Corelli, Musica Amphion, Rémy Baudet, Pieter-Jan Belder. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Sonata No. 3 in C Major, Op. 5: III. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 3 in C Major, Op. 5: III. Adagio by Arcangelo Corelli, Rémy Baudet, Jaap Ter Linden, Mike Fentross, Pieter-Jan Belder is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
| Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 2 in C Minor: III. Minueto | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Minor | 1 | 10A | 110 BPM | ||
| Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
| Sonata in A Major, No. 6: V. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 2 | 4B | 71 BPM | ||
| Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
| Flute Concerto No. 3 in C: 3. Allegro assai | Frederick the Great, Patrick Gallois, Carl Philipp Emanuel Bach Chamber Orchestra, Peter Schreier | C Major | 1 | 8B | 130 BPM | ||
| Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
| Sonata II In G Minor: II. Allegro (Muffat) | Georg Muffat, Masques | F♯ Minor | 1 | 11A | 136 BPM | ||
| King Arthur, or The British Worthy, Z.628: First Music: Chaconne | Henry Purcell, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 84 BPM | ||
| Sonata VIII A Cinque In G Major: (Allegro), Presto, Allegro, Adagio, Allegro, Adagio (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Major | 2 | 2B | 113 BPM | ||
| Concerto a cinque No. 6, Op. 7: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B♭ Minor | 1 | 3A | 87 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM | ||
| Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande, Sigiswald Kuijken | F♯ Minor | 1 | 11A | 106 BPM | ||
| Symphony in C Major, Op. 1, No. 6 (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
| Cello Concerto in D Major, G. 479: III. Allegro | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | E Minor | 1 | 9A | 96 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 1 | 6A | 82 BPM | ||
| Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
| Scarlatti, A: Or che di Febo: I. Sinfonia. Largo - Adagio | Alessandro Scarlatti, The Chandos Baroque Players | D♭ Major | 0 | 3B | 74 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
| Ouverture in E Minor: II. Les plaisirs | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 114 BPM |