"Denouement" by Becoming The Archetype had its release date on January 1, 2005. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Terminate Damnation". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Denouement's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Denouement by Becoming The Archetype having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| St. Dismas | HolyName, Nothing Left | C Major | 10 | 8B | 155 BPM | ||
| The Hands That Bled | Darkness Divided | A♭ Major | 9 | 4B | 135 BPM | ||
| Conform Me | Ben S Dixon | D Minor | 9 | 7A | 87 BPM | ||
| Broken Man | Corpus Christi | B♭ Major | 10 | 6B | 145 BPM | ||
| Outcast | Colossus | D Major | 10 | 10B | 175 BPM | ||
| Selfless | Mouth of the South | B Minor | 9 | 10A | 112 BPM | ||
| Unleavened | Collapse//Revive | D♭ Minor | 10 | 12A | 200 BPM | ||
| A Pattern in Pain | Phinehas | E Minor | 10 | 9A | 135 BPM | ||
| Ego Trip | Those Who Fear | D Major | 10 | 10B | 140 BPM | ||
| Crowns | The Forerunner | D♭ Major | 10 | 3B | 155 BPM | ||
| Hell Quakes II | A Secret Ending | E Minor | 10 | 9A | 170 BPM | ||
| Sin | While We Were Sinners | G Major | 10 | 9B | 95 BPM | ||
| War Within | Mortal Treason | D♭ Major | 9 | 3B | 131 BPM | ||
| Just & The Justifier | Small Voice | F Minor | 3 | 4A | 170 BPM | ||
| Inferno | Extol | C Major | 10 | 8B | 156 BPM | ||
| The Sect - Live | HolyName, Ryan Clark | A♭ Major | 8 | 4B | 100 BPM | ||
| The Ocean Walker | Becoming The Archetype | E♭ Major | 9 | 5B | 192 BPM | ||
| Acceptance | Hope For The Dying | F Major | 10 | 7B | 130 BPM | ||
| Crowns | Phinehas | A♭ Major | 10 | 4B | 140 BPM | ||
| The First Woe | Saving Grace | D♭ Major | 9 | 3B | 141 BPM | ||
| Dies Irae | Irae, Kurt Donahue | C Major | 9 | 8B | 116 BPM | ||
| Temporary Affliction | Diamonds to Dust, Bobbi Vanet | E Major | 10 | 12B | 120 BPM | ||
| Christus | Intercessor | G Major | 9 | 9B | 120 BPM | ||
| Dichotomy | Becoming The Archetype | B♭ Minor | 9 | 3A | 160 BPM | ||
| Die a King | Cleansing of the Temple | D Minor | 9 | 7A | 100 BPM |