"Ave Maria" by Orchestra, Raffaele Mingardo, Franco Corelli had its release date on 1996. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Neapolitan Songs, Sacred Songs & Arias". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ave Maria is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria by Orchestra, Raffaele Mingardo, Franco Corelli having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mikado: Three Little Maids | Jean Rigby | C Major | 2 | 8B | 128 BPM | ||
| 1776: Overture | Sherman Edwards, 1776 Orchestra, Peter Howard | B Major | 5 | 1B | 121 BPM | ||
| This Nearly Was Mine | Emile De Becque | C Major | 3 | 8B | 138 BPM | ||
| Productive Ambience for Kids’ Study Spaces | Jin Lee, Orchestra, Relaxing Music for Kids, Calming Music for Kids | B Major | 7 | 1B | 94 BPM | ||
| Sun & Moon / Why God Why | Bournemouth Symphony Orchestra, Seann Alderking | D♭ Major | 1 | 3B | 70 BPM | ||
| My Fair Lady: Get Me to the Church on Time | Frederick Loewe, Stanley Holloway, Original London Cast of My Fair Lady Ensemble, Franz Allers, Cyril Ornadel | C Major | 4 | 8B | 123 BPM | ||
| Ländler | Charlotte Guldberg, Hans Nielsen | F Major | 2 | 7B | 121 BPM | ||
| In The Piazza Signoria | Richard Robbins, Richard Robbins And Orchestra, Orchestra | A Minor | 0 | 8A | 177 BPM | ||
| I Won't Send Roses - From "Mack & Mabel Original Cast Recording" | Robert Preston | C Major | 2 | 8B | 85 BPM | ||
| Tranquil Violin Sounds | Violinister Prodigy, Cinematic Orchestra, Orchestra, VIOLIN COVERS | E Major | 4 | 12B | 80 BPM | ||
| A Puzzlement - Reprise | Jon Viktor Corpuz, Jake Lucas, Ted Sperling, Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
| Spacious Classical Melodies for Deep Thought | Chris Shelts, Cinematic Orchestra, Orchestra, Music Scientifically Proven for Deep Sleep | F Major | 1 | 7B | 136 BPM | ||
| Trara, die Post ist da | Traditional, Hermann Prey, Fried Walter, Orchestra | E Major | 1 | 12B | 112 BPM | ||
| Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | ||
| Overture | Orchestra | C Major | 3 | 8B | 75 BPM | ||
| Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denley, John | C Major | 3 | 8B | 125 BPM | ||
| The Humming Chorus (Madama Butterfly) | Dr. Kathleen McGuire, San Francisco Gay Men's Chorus | B♭ Major | 0 | 6B | 72 BPM | ||
| 42nd Street | Wanda Richert, Lee Roy Reams, 42nd Street Ensemble | C Major | 6 | 8B | 87 BPM | ||
| Main Title Oklahoma | Orchestra | G Major | 3 | 9B | 145 BPM | ||
| Prologue | The "Oliver! 1994" Orchestra | D♭ Major | 3 | 3B | 73 BPM | ||
| The Bridge On The River Kwai - The Colonel Bogey March | Malcolm Arnold | D Major | 5 | 10B | 122 BPM | ||
| Where or When (From "Babes In Arms") (with Orchestra) | Lena Horne, Orchestra | E♭ Major | 1 | 5B | 130 BPM | ||
| Seventy Six Trombones | Robert Preston, Meredith Wilson, Broadway Cast | A♭ Major | 6 | 4B | 129 BPM | ||
| The Pensione Bertollini | Richard Robbins, Richard Robbins And Orchestra, Orchestra | A♭ Major | 1 | 4B | 126 BPM | ||
| Overture | Orchestra | A♭ Major | 3 | 4B | 112 BPM |