"Alto Angelo's Arrival and Combat" by Capcom Sound Team had its release date on February 27, 2008. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 104 in Devil May Cry 4 Original Soundtrack by Capcom Sound Team. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Alto Angelo's Arrival and Combat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alto Angelo's Arrival and Combat by Capcom Sound Team is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Domain of Dust and Desolation | 堀諭史 | F Major | 4 | 7B | 140 BPM | ||
| Prelude to Pursuit | Yasumasa Kitagawa | B♭ Major | 3 | 6B | 150 BPM | ||
| Silent Hill Theme | Edgar Rothermich | A Minor | 6 | 8A | 94 BPM | ||
| 成歩堂龍一 ~異議あり! 2013 | 岩垂徳行 | F♯ Major | 9 | 2B | 208 BPM | ||
| Looming Dread | 中島健太郎 | D♭ Major | 4 | 3B | 160 BPM | ||
| Stand Your Ground | Yoko Shimomura | C Minor | 6 | 5A | 117 BPM | ||
| Last Judgment | 中島健太郎 | C Major | 7 | 8B | 150 BPM | ||
| Theme of G | Daniel Lindholm | B Minor | 10 | 10A | 141 BPM | ||
| Hydro City Zone Act 1 | Tee Lopes | A♭ Major | 8 | 4B | 203 BPM | ||
| Moonlit Wilderness | TEKKEN Project, Bandai Namco Game Music | E Minor | 5 | 9A | 116 BPM | ||
| Theme of Gill | Keiki Kobayashi | B♭ Minor | 8 | 3A | 85 BPM | ||
| Savage of the Ancient Forest | YUKO KOMIYAMA | B Major | 4 | 1B | 94 BPM | ||
| Enemy Attack | 仲野順也 | G Minor | 8 | 6A | 153 BPM | ||
| Z Chaser | Yoshiya Terayama | D♭ Major | 10 | 3B | 100 BPM | ||
| 全ての人の魂の戦い | 小宮知子 | B Minor | 9 | 10A | 150 BPM | ||
| STORM EAGLEED STAGE | Capcom Sound Team | F♯ Minor | 10 | 11A | 170 BPM | ||
| Un-gravitify - electro extended | Cashell | A Minor | 9 | 8A | 140 BPM | ||
| Theme of Yun -SSFⅣ AE Arrange- | Hideyuki Fukasawa | A Minor | 9 | 8A | 162 BPM | ||
| Blitz Off ! | Masashi Hamauzu | E Minor | 9 | 9A | 138 BPM | ||
| Save Room (Model Screen) | Masami Ueda | D♭ Major | 10 | 3B | 163 BPM | ||
| Wandering Ghosts | Castlevania Sound Team | D♭ Major | 5 | 3B | 120 BPM | ||
| In the Bar | Yuzo Koshiro, Motohiro Kawashima 川島 基宏 | B♭ Minor | 9 | 3A | 120 BPM | ||
| X vs ZERO | Naoto Tanaka | D Major | 9 | 10B | 123 BPM | ||
| Shoot the Targets! - Target Practice | Kota Suzuki | A Minor | 8 | 8A | 123 BPM | ||
| Battle In The Jungle - Alert Phase | Norihiko Hibino | C Minor | 5 | 5A | 113 BPM |