"La Romanesca" by Joseph Achron, Michael Ludwig, Alison D'Amato had its release date on July 1, 2014. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 20 in Achron: Music for Violin and Piano by Joseph Achron, Michael Ludwig, Alison D'Amato. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, La Romanesca is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Romanesca by Joseph Achron, Michael Ludwig, Alison D'Amato is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marchenbilder (Fairy Tales), Op. 113: II. Lebhaft | Robert Schumann, Tabea Zimmermann, Hartmut Höll | E Major | 0 | 12B | 112 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Concerto for cello and orchestra no. 1 in A Minor, Op. 14: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Major | 2 | 11B | 140 BPM | ||
| Violin Concerto In D Minor, Op. 47: 2. Adagio di molto | Jean Sibelius, Esther Yoo, Philharmonia Orchestra, Vladimir Ashkenazy | B Major | 4 | 1B | 158 BPM | ||
| Hummel: Viola Sonata in E-Flat Major, Op. 5 No. 3: II. Adagio cantabile | Johann Nepomuk Hummel, Gérard Caussé, François-René Duchâble, Françoise Garcin | B♭ Major | 0 | 6B | 82 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | ||
| Elgar: Violin Sonata in E Minor, Op. 82: II. Romance. Andante | Renaud Capuçon, Stephen Hough | A♭ Major | 0 | 4B | 96 BPM | ||
| Cello Sonata in G Minor, Op. 65, B. 160: III. Largo | Frédéric Chopin, Truls Mørk, Louis Lortie | B♭ Major | 0 | 6B | 97 BPM | ||
| Hebrew Melody, Op. 33 | Joseph Achron, Jascha Heifetz, Isidor Achron | A Minor | 2 | 8A | 67 BPM | ||
| 5 Fantasiestücke, Op. 5: No. 2, Serenade. Andante molto | Samuel Coleridge-Taylor, Takács Quartet | G Major | 1 | 9B | 83 BPM | ||
| Violin Sonata, Op. 18: III. Finale. Andante – Allegro | Richard Strauss, Renaud Capuçon, Guillaume Bellom | E♭ Major | 0 | 5B | 174 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Violin Concerto No. 2 "The American Four Seasons": Song No. 2 | Delirium Musicum, Étienne Gara | A Minor | 0 | 8A | 95 BPM | ||
| Cello Sonata in D Minor, Op. 40: III. Largo | Dmitri Shostakovich, Dmitry Yablonsky, Ekaterina Saranceva | B♭ Minor | 4 | 3A | 0 BPM | ||
| Piano Trio in A Minor, Op. 50: IIa. Var. 9, Andante flebile ma non tanto | Pyotr Ilyich Tchaikovsky, Trio Karénine | D♭ Minor | 0 | 12A | 87 BPM | ||
| 3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
| Suite No. 1 en style ancien, Op. 21: III. Sicilienne | Joseph Achron, Michael Ludwig, Alison D'Amato | C Major | 0 | 8B | 92 BPM | ||
| Carmen Concert Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM | ||
| Suite No. 1 en style ancien, Op. 21: V. Gigue | Joseph Achron, Michael Ludwig, Alison D'Amato | C Major | 0 | 8B | 92 BPM | ||
| 3 Nocturnes, Op. 14: No. 1, Andante | Auguste Franchomme, Camille Thomas, Wolfgang Emanuel Schmidt | E Minor | 1 | 9A | 85 BPM | ||
| Piano Sonata in F-Sharp Minor, D. 571: I. Allegro moderato (Completed by Martin Helmchen) | Franz Schubert, Martin Helmchen | A Major | 1 | 11B | 75 BPM | ||
| La Cinquième Saison, Op. 15: I. Le Secret des feuilles: L'esprit de la forêt | Corentin Apparailly, Julien Martineau, Orchestre Victor Hugo, Jean-François Verdier | A♭ Major | 0 | 4B | 96 BPM | ||
| Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
| 24 Préludes, Op. 28: No. 4 in E Minor, Largo (Arr. for Cello and Piano by A. Franchomme) [Adapted by C. Thomas] | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 2 | 10B | 176 BPM | ||
| Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM |