"Friar Lawrence's Dangerous Plan" by Ann Rachlin had its release date on 1983. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Romeo And Juliet - The Story Of The Ballet". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Friar Lawrence's Dangerous Plan's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Friar Lawrence's Dangerous Plan by Ann Rachlin having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
| Six Hopeful Princesses | Ann Rachlin | A♭ Major | 3 | 4B | 73 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Tales of Beatrix Potter: The Tale of Squirrel Nutkin | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden | G Major | 2 | 9B | 113 BPM | ||
| Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 0 | 5B | 191 BPM | ||
| Portrait De Fleurs | London Philharmonic Orchestra | G Minor | 3 | 6A | 91 BPM | ||
| Peter and the Wolf, Op. 67: The Bird | David Bowie, Eugene Ormandy | C Major | 1 | 8B | 134 BPM | ||
| Annie | Charles Strouse, Richard Hayman Symphony Orchestra, Richard Hayman | C Major | 2 | 8B | 91 BPM | ||
| Sherlock Holmes und Dr. Watson Teil 3 - Die Silhouette des Windes Teil 2 | Sherlock Holmes und Dr. Watson | G Minor | 4 | 6A | 101 BPM | ||
| Suite Bergamasque, L. 75: 3. Clair de lune (Arr. Henry Krips) | Henry Krips, Claude Debussy, Adelaide Symphony Orchestra, Ron Spigelman | G Major | 0 | 9B | 92 BPM | ||
| Paradise of Body | Ernesto Vallini, Neon Lilith, Vanity Bulleck, Royal Philarmonic Cunes | D Minor | 3 | 7A | 100 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Grandfather came out (Grandfather) | Raymond Leppard, New Philharmonia Orchestra, Richard Baker | C Major | 0 | 8B | 80 BPM | ||
| Wolf-Ferrari: I gioielli della Madonna, Act 2: Intermezzo | Ermanno Wolf-Ferrari, Sir Adrian Boult, Richard Adeney, London Philharmonic Orchestra | C Major | 4 | 8B | 52 BPM | ||
| Sinfonietta, FP 141: II. Molto vivace | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 79 BPM | ||
| Peter and the Wolf, Op. 67: IX. Peter Prepares to Catch the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 112 BPM | ||
| Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | ||
| Not Bad, Right? | Kris Bowers | C Major | 4 | 8B | 52 BPM | ||
| Coppélia, Tableau 2: Entr'acte | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Serenade for String Orchestra, Op. 46: Cavatina. Lento cantabile | Hans Gál, Nina Karmon, Oliver Triendl, Sinfonietta Riga, Normunds Šnē | D Major | 1 | 10B | 86 BPM | ||
| Peter and the Wolf, Op. 67: II. The Story Begins | Wiener Opernorchester | A♭ Major | 1 | 4B | 97 BPM | ||
| Jesus Of Nazareth | Alfred Newman | A♭ Minor | 2 | 1A | 77 BPM | ||
| Jeux d'enfants, Op. 22 - Petite Suite for Orchestra: 1. Marche: Trompette et tambour | Georges Bizet, Orchestre National De France, Jean Martinon | G Major | 2 | 9B | 147 BPM | ||
| Old Sherman's Dog Toby (The Sign of Four) | Gabrieli String Quartet, John Yap | B♭ Major | 2 | 6B | 144 BPM | ||
| The Work Song (Cinderella) | London Pops Orchestra, Nelson Corbin | D♭ Major | 2 | 3B | 123 BPM |