"Somehow It’s Been A Rough Day - Live" by 桑原あい, スティーヴ・ガット, ウィル・リー had its release date on March 20, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in 桑原あい, スティーヴ・ガット, ウィル・リー's "Live at Blue Note Tokyo" album is number 1 out of 9. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Somehow It’s Been A Rough Day - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Somehow It’s Been A Rough Day - Live by 桑原あい, スティーヴ・ガット, ウィル・リー to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parallel Universe | 桑原あい | A♭ Major | 6 | 4B | 112 BPM | ||
| Emotion in Motion | Peter Martin | D♭ Major | 4 | 3B | 129 BPM | ||
| ひだまり | m.s.t. | B Minor | 6 | 10A | 176 BPM | ||
| ATR Theme | Answer to Remember, MELRAW, 中島朱葉 | A♭ Major | 9 | 4B | 89 BPM | ||
| atmosphere | グッドラックヘイワ | F Major | 1 | 7B | 76 BPM | ||
| Rainbow Voyage | Riyoko Takagi | D Major | 6 | 10B | 90 BPM | ||
| True Love's Kiss | The Circle Session Players | G Major | 5 | 9B | 115 BPM | ||
| Generation S | Peter Martin, Gregory Hutchinson, Sarah Hanahan, Reuben Rogers | F Minor | 5 | 4A | 127 BPM | ||
| Walkdown | Sam Greenfield | D Major | 7 | 10B | 93 BPM | ||
| Look Ahead | Fred Nardin | C Major | 6 | 8B | 135 BPM | ||
| Saturday Come Slow | 桑原あい, Shun Ishiwaka | A♭ Major | 4 | 4B | 113 BPM | ||
| Roy's Scat | J.A.M | A Minor | 5 | 8A | 91 BPM | ||
| Ray Guy | Jacob Mann Big Band | G Minor | 5 | 6A | 100 BPM | ||
| Brightlight - Live Session | Avishai Cohen | B♭ Minor | 8 | 3A | 90 BPM | ||
| 魂のルフラン | Anime That Jazz | A♭ Minor | 9 | 1A | 130 BPM | ||
| 卒業のエアロライト | H ZETTRIO | B Major | 6 | 1B | 105 BPM | ||
| morning view | The Hey Song | E Minor | 4 | 9A | 82 BPM | ||
| Can’t Hide Love | Miho Hazama | B♭ Minor | 6 | 3A | 144 BPM | ||
| HYPNOSIS | 松井 秀太郎, 中林俊也, 兼松 衆, 小川晋平, 小田桐和寛 | B♭ Major | 7 | 6B | 158 BPM | ||
| MASQUERADE | 松井 秀太郎, 中川英二郎, 中林俊也, 兼松 衆, 小川晋平, 小田桐和寛 | F Major | 7 | 7B | 136 BPM | ||
| Departure | Martha Kato | D♭ Major | 3 | 3B | 102 BPM | ||
| Run into the B | Yusuke Shima, bohemianvoodoo, Silent Jazz Case | D Major | 5 | 10B | 87 BPM | ||
| Love For Sale | Taylor Eigsti | B♭ Minor | 5 | 3A | 125 BPM | ||
| Stella's Cough | Senri Oe | C Major | 6 | 8B | 150 BPM | ||
| Kiss the Girl | Roy Hargrove | C Minor | 6 | 5A | 91 BPM |