Carter Burwell's ' "He Was Horrible" was released on its scheduled release date, 1987. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Raising Arizona (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. He Was Horrible is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With He Was Horrible by Carter Burwell having a BPM of 39 with a half-time of 20 BPM and a double-time of 78 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Soul Mates | Antonio Pinto | A♭ Minor | 0 | 1A | 125 BPM | ||
| The Cloud Atlas Sextet for Orchestra | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gene Pritsker | D♭ Major | 3 | 3B | 128 BPM | ||
| Mercedes Lullaby | Javier Navarrete | F Minor | 1 | 4A | 76 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Sabine | Peter Gregson | C Minor | 0 | 5A | 90 BPM | ||
| Only Believe | Max Richter | A♭ Major | 1 | 4B | 77 BPM | ||
| Romance Suite (From the Motion Picture "Promising Young Woman") | Anthony Willis | E Major | 1 | 12B | 70 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| The Hug | Atli Örvarsson | G Major | 0 | 9B | 84 BPM | ||
| Guinevere | Rob Lane | G Major | 0 | 9B | 70 BPM | ||
| Where Lost Boys Go | Dan Romer, Benh Zeitlin | A Major | 1 | 11B | 140 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| The Man Who Wasn't There (The Trial of Ed Crane) | Brussells Philharmonic, Dirk Brossé | D Major | 2 | 10B | 107 BPM | ||
| A Sepulchre | George Fenton | A Major | 0 | 11B | 74 BPM | ||
| Montage | Fernando Velázquez | A Major | 0 | 11B | 68 BPM | ||
| A New Day Beckons | Antony Partos | B Minor | 1 | 10A | 88 BPM | ||
| The World Turned Upside Down - Pt. 2 | Laurent Eyquem | B♭ Major | 0 | 6B | 71 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| The End | Carter Burwell | C Minor | 2 | 5A | 102 BPM | ||
| A Wonderful Thing | Richard Wells | F♯ Minor | 2 | 11A | 60 BPM | ||
| The Key to Lallybroch | Bear McCreary, Raya Yarbrough | D Major | 1 | 10B | 74 BPM | ||
| Giving Back The Baby | David Newman | E Minor | 2 | 9A | 119 BPM |