Carter Burwell's ' "He Was Horrible" was released on its scheduled release date, 1987. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Raising Arizona (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. He Was Horrible is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With He Was Horrible by Carter Burwell having a BPM of 39 with a half-time of 20 BPM and a double-time of 78 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| LaBoeuf Takes Leave | Carter Burwell | F Major | 0 | 7B | 47 BPM | ||
| Church Dream | Ryuichi Sakamoto, alva noto | E Minor | 3 | 9A | 87 BPM | ||
| Clara | Amelia Warner | A Minor | 1 | 8A | 73 BPM | ||
| Chance Encounter | Philip Glass | C Minor | 1 | 5A | 91 BPM | ||
| Wasn't Meant to Be | Joy Ngiaw | A Minor | 1 | 8A | 63 BPM | ||
| Maria's Sacrifice | Christian Henson | G Major | 3 | 9B | 80 BPM | ||
| No more fear | Max Richter | F Major | 2 | 7B | 67 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| People Disappear All the Time | Bear McCreary | G Major | 2 | 9B | 72 BPM | ||
| Talk About Suffering | Carter Burwell | D♭ Major | 0 | 3B | 114 BPM | ||
| Marlo and Ray | Nathan Barr | D Minor | 0 | 7A | 73 BPM | ||
| Darcy's Letter - From "Pride & Prejudice" Soundtrack | Dario Marianelli, English Chamber Orchestra, Benjamin Wallfisch | C Minor | 0 | 5A | 139 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| Sep Ballet [Bonus Track] | Justin Hurwitz | A♭ Major | 1 | 4B | 74 BPM | ||
| Twilight: Bella's Lullaby | Dan Redfeld & Elizabeth Hedman | D Minor | 0 | 7A | 124 BPM | ||
| I Had No One | David Arnold, Michael Price | A Minor | 2 | 8A | 97 BPM | ||
| Utopia | George Fenton | C Major | 0 | 8B | 86 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| The Origins of Time | Jóhann Jóhannsson | C Major | 0 | 8B | 75 BPM | ||
| The End | Carter Burwell | C Minor | 2 | 5A | 102 BPM | ||
| Post Pie | Daniel Hart | F Major | 1 | 7B | 68 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| The Far Road | Nick Cave & Warren Ellis | A Minor | 1 | 8A | 118 BPM | ||
| One Strange World | Antonio Pinto | A♭ Minor | 2 | 1A | 77 BPM |