"Fainting Spell" by Paul Mills had its release date on October 2, 2012. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "October Baby: The Original Score". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Fainting Spell is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fainting Spell by Paul Mills having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arpeggio Theme | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| You Gotta Be the Change (feat. Paul Mills) | The DT6, Paul Mills | E♭ Major | 3 | 5B | 112 BPM | ||
| One Day (From "Pirates Of The Caribbean: At World's End) - Church Organ Version | Aureon Vale, Sacred Mystery | D Minor | 1 | 7A | 80 BPM | ||
| Finding The Bottle | Gabriel Yared | A♭ Major | 3 | 4B | 89 BPM | ||
| You Would Be My Wife | Rachel Portman | G Major | 1 | 9B | 84 BPM | ||
| Farewell in Twilight | Fabian Petzold, Andreas Schmidt-Hoensdorf | D Major | 0 | 10B | 55 BPM | ||
| Searching For Skip | William Ross | D♭ Major | 1 | 3B | 134 BPM | ||
| We Took To The Skies | Steven Price | A♭ Major | 2 | 4B | 114 BPM | ||
| Jigsaw | Ho-Ling Tang | G Major | 2 | 9B | 96 BPM | ||
| Mushin, Complete | Sakon | D Minor | 1 | 7A | 80 BPM | ||
| A New Friend | William Ross | E♭ Major | 0 | 5B | 172 BPM | ||
| Problems and Solutions | David Schweitzer | C Minor | 2 | 5A | 84 BPM | ||
| Leo Has To Go | W.G. Snuffy Walden | F Minor | 0 | 4A | 94 BPM | ||
| The Apology - Score | Mark Willard | D Major | 0 | 10B | 76 BPM | ||
| Grace's Prayer | The Hollywood Studio Symphony, John Debney | B♭ Major | 1 | 6B | 109 BPM | ||
| A Son Named Jesus | John Debney | F Minor | 1 | 4A | 79 BPM | ||
| Al Contrario by Lorenzo | Kostas Christides | C Major | 1 | 8B | 72 BPM | ||
| I Am Every Shell Washed Upon The Shore - From The Motion Picture “Where The Crawdads Sing” | Mychael Danna | E Minor | 1 | 9A | 98 BPM | ||
| Trying To Relate | George Fenton | C Major | 0 | 8B | 97 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| Dave's Race | Paul Mills | D Major | 3 | 10B | 67 BPM | ||
| The Egg Arrives | Alex Wurman | A Major | 3 | 11B | 138 BPM | ||
| Fireproof Main Title - Score | Mark Willard | F Major | 1 | 7B | 65 BPM | ||
| You’ll Never Leave Me, Will You Laurie? | Craig Armstrong | F Major | 0 | 7B | 64 BPM |