"Edward Meets Eliza" by John Debney had its release date on October 14, 2014. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Stonehearst Asylum (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Edward Meets Eliza is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Edward Meets Eliza by John Debney having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ella and Kit | Patrick Doyle | D Major | 0 | 10B | 78 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Daniel and the Kids | Howard Shore | C Major | 1 | 8B | 120 BPM | ||
| Follow Your Feet | Carter Burwell | D Major | 0 | 10B | 87 BPM | ||
| A Bug's Life Suite - From "A Bug's Life"/Score | Randy Newman | C Major | 2 | 8B | 113 BPM | ||
| Blossoms - From "Mulan"/Score | Jerry Goldsmith | A Minor | 1 | 8A | 78 BPM | ||
| Thanks | John Barry | C Major | 1 | 8B | 114 BPM | ||
| Old Woman | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 1 | 8B | 170 BPM | ||
| To Italy for a Kiss (From "Return to Me") | Nicholas Pike | B Minor | 0 | 10A | 77 BPM | ||
| The Story of Peter Rabbit | Nigel Westlake | D Minor | 1 | 7A | 139 BPM | ||
| A Day Together | John Barry, John Debney, Royal Scottish National Orchestra | C Major | 2 | 8B | 164 BPM | ||
| One Down In Gaza | W.G. Snuffy Walden | G Major | 1 | 9B | 69 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| A Journey to Hogwarts | Nicholas Hooper | A Minor | 1 | 8A | 78 BPM | ||
| Main Title | Jerry Goldsmith | A Major | 1 | 11B | 94 BPM | ||
| But I Found You, Didn't I? | Geoff Zanelli, Jon Brion | C Major | 0 | 8B | 172 BPM | ||
| Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
| Fighting Over The Melons | David Newman | G Major | 6 | 9B | 172 BPM | ||
| Scooter Talk - Score | John Debney | C Major | 2 | 8B | 103 BPM | ||
| Cortege | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Every Dog Has His Day | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | F Major | 1 | 7B | 87 BPM | ||
| Mia's Makeover - Score | John Debney | E Minor | 0 | 9A | 169 BPM | ||
| Sawyer And Winter | Mark Isham | D♭ Major | 1 | 3B | 106 BPM | ||
| Lovely, But Not Real | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Making Moonlight | Rael Jones | D Major | 5 | 10B | 104 BPM |