Synchron Stage Orchestra, Masahiro Aoki's 'Path to Rivals (Login Theme)' had a release date set for December 6, 2024. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "MARVEL Rivals: Galactic Tunes (Original Video Game Soundtrack)" album is number 2 out of 19. On top of that, United States appears to be the country where this track was created. Based on our statistics, Path to Rivals (Login Theme)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Path to Rivals (Login Theme) by Synchron Stage Orchestra, Masahiro Aoki to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pain and Compassion | Gregor F. Narholz, Synchron Stage Orchestra | D Minor | 0 | 7A | 139 BPM | ||
| The Dark Gate Beckons | Synchron Stage Orchestra, Masahiro Aoki | E Major | 9 | 12B | 90 BPM | ||
| Justice League Unlimited Theme | Michael McCuistion | B♭ Major | 5 | 6B | 177 BPM | ||
| Back in the Skies | Lucas Ricciotti | F♯ Minor | 8 | 11A | 100 BPM | ||
| Rivals 'Til the End (Chrissy Costanza Version) | Chrissy Costanza | E Major | 9 | 12B | 90 BPM | ||
| The World Tour | Embark Studios | C Major | 3 | 8B | 128 BPM | ||
| The Golden Realm | Synchron Stage Orchestra, Masahiro Aoki | A♭ Major | 7 | 4B | 140 BPM | ||
| Critical Clash II | Yasunori Nishiki | D Minor | 8 | 7A | 82 BPM | ||
| No Risk, No Reward | 祖堅 正慶 | F Minor | 6 | 4A | 81 BPM | ||
| Amalgamaniac | Alex Moukala | B Major | 8 | 1B | 172 BPM | ||
| Control | 祖堅 正慶, 植松 伸夫 | G Minor | 6 | 6A | 138 BPM | ||
| The Promised Consort | Shoi Miyazawa | E♭ Major | 7 | 5B | 178 BPM | ||
| Riders of the Void | Keith Power, Digital Extremes Ltd., Kenny Wood, Kate Offer | A♭ Minor | 8 | 1A | 110 BPM | ||
| Main Title (Season 3) | Neal Acree | C Minor | 7 | 5A | 152 BPM | ||
| The Valley's Own | Leo Birenberg & Zach Robinson | D Major | 6 | 10B | 146 BPM | ||
| Shin-Shibuya Neon | Synchron Stage Orchestra, Masahiro Aoki, Hiromu Motonaga, Shin Ichikawa, KIJI | E Major | 9 | 12B | 90 BPM | ||
| Mobile Suit Gundam Unicorn - Re:Mix0096 | Sawano Hiroyuki | C Major | 8 | 8B | 106 BPM | ||
| Darkness - P3R ver. | アトラスサウンドチーム, ATLUS GAME MUSIC | C Minor | 1 | 5A | 83 BPM | ||
| Malevolent Shrine | 照井順政 | A Minor | 10 | 8A | 86 BPM | ||
| Frieren the Slayer | Evan Call | B Minor | 2 | 10A | 110 BPM | ||
| The Plunderer - JP's Theme | Yoshiya Terayama | B Minor | 8 | 10A | 114 BPM | ||
| 開かれる道~巨像との戦い~ | SIE Sound Team | F Minor | 5 | 4A | 80 BPM | ||
| Steven Universe: Sky Arena | Edouard Brenneisen, Steven Universe, MultiVersus | G Major | 9 | 9B | 174 BPM | ||
| 総力戦 | 山下康介 | F Major | 6 | 7B | 82 BPM | ||
| What If...End Credits | Laura Karpman, Nora Kroll-Rosenbaum | F Major | 5 | 7B | 93 BPM |