Sadao Watanabe's ' "What Second Line" was released on its scheduled release date, August 26, 2009. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sadao Watanabe's "Into Tomorrow" album is number 6 out of 11. On top of that, Japan appears to be the country where this track was created. In terms of popularity, What Second Line is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of What Second Line by Sadao Watanabe to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| (It's Just) Talk | Pat Metheny Group | D♭ Minor | 6 | 12A | 137 BPM | ||
| Brand-New Morning | かつしかトリオ | D♭ Minor | 9 | 12A | 106 BPM | ||
| I Came to Play | Paul Jackson, Jr. | D♭ Major | 6 | 3B | 113 BPM | ||
| YOU'RE SORRY | Jun Fukamachi | C Major | 6 | 8B | 152 BPM | ||
| EARLY EVENING LULLABY | Jun Fukamachi | B♭ Major | 4 | 6B | 134 BPM | ||
| Feel Like Makin' Love | Larry Coryell | D Major | 6 | 10B | 90 BPM | ||
| Interlude | Justo Almario | B♭ Minor | 6 | 3A | 124 BPM | ||
| Nice Shot | Sadao Watanabe | C Major | 6 | 8B | 108 BPM | ||
| It's A Shame | Paul Jackson, Jr. | F♯ Major | 7 | 2B | 206 BPM | ||
| イン・ザ・ウィー・スモール・アワーズ・オブ・ザ・モーニング (ライヴ) | Sadao Watanabe | C Major | 2 | 8B | 116 BPM | ||
| DEPARTURE IN THE DARK | Jun Fukamachi | C Major | 9 | 8B | 120 BPM | ||
| Spiraling Prism | Herbie Hancock | G Minor | 4 | 6A | 150 BPM | ||
| First-Time Love | Dave Grusin | A♭ Major | 3 | 4B | 98 BPM | ||
| Light In Your Eyes | Joe Pass | C Minor | 2 | 5A | 119 BPM | ||
| The Golden Rule | Keiko Lee, Sadao Watanabe | C Major | 4 | 8B | 132 BPM | ||
| RESOLUTE | 和泉宏隆 | B Minor | 7 | 10A | 137 BPM | ||
| アイ・フォール・イン・ラヴ・トゥー・イージリー | Sadao Watanabe | B♭ Minor | 1 | 3A | 120 BPM | ||
| ドント・ビー・シリー | Kazumi Watanabe | E Minor | 3 | 9A | 106 BPM | ||
| It Doesn't Matter | Spyro Gyra | B Major | 8 | 1B | 94 BPM | ||
| SEA EXPRESS | MALTA | F Minor | 9 | 4A | 120 BPM | ||
| PENNY MARKET - LIVE, 1995 Remaster | Naoya Matsuoka, Wesing | A♭ Major | 9 | 4B | 126 BPM | ||
| Facing East | Manfredo Fest | A♭ Major | 5 | 4B | 122 BPM | ||
| Joyride | Mezzoforte | D♭ Minor | 8 | 12A | 124 BPM | ||
| Morena | Yutaka | F♯ Major | 6 | 2B | 108 BPM | ||
| Window Shoppin' | Hiram Bullock | G Major | 9 | 9B | 102 BPM |