Capcom Sound Team's 'Dr. Wily Stage Boss (PS)' had a release date set for 2012. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Capcom Sound Team's "Mega Man 3 Sound Collection" album is number 34 out of 39. On top of that, Japan appears to be the country where this track was created. Based on our statistics, Dr. Wily Stage Boss (PS)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Dr. Wily Stage Boss (PS) by Capcom Sound Team to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dance of Gold | Castlevania Sound Team | F Major | 4 | 7B | 60 BPM | ||
| Thunder Plains | Masashi Hamauzu | E♭ Major | 4 | 5B | 124 BPM | ||
| SPIKE ROSERED STAGE | Naoto Tanaka | A Minor | 7 | 8A | 140 BPM | ||
| Into the Thick of It | Hiroki Kikuta | F Major | 2 | 7B | 141 BPM | ||
| Balrog's Theme | Capcom Sound Team | C Minor | 6 | 5A | 139 BPM | ||
| Trap Factory | Kawakami Ryo | F♯ Major | 10 | 2B | 196 BPM | ||
| Boss : Blue Falcom | Jun Senoue (SEGA SOUND TEAM) | F Major | 9 | 7B | 87 BPM | ||
| In Search of Lost Time | 内山 修作 | F Minor | 3 | 4A | 136 BPM | ||
| Chrono Trigger | Yasunori Mitsuda | E Minor | 7 | 9A | 129 BPM | ||
| OPENING STAGE X | Capcom Sound Team | B♭ Major | 9 | 6B | 157 BPM | ||
| Trisection | 崎元 仁 | A Minor | 4 | 8A | 130 BPM | ||
| Cannon Ball | INTI CREATES | G Major | 9 | 9B | 75 BPM | ||
| FFVII REMAKE: High Five | 植松 伸夫 | B♭ Major | 10 | 6B | 126 BPM | ||
| Theme of Guile -SFⅣ Arrange- | Hideyuki Fukasawa | E Minor | 8 | 9A | 126 BPM | ||
| Flying Battery Zone Act 1 | Tee Lopes | E Minor | 10 | 9A | 150 BPM | ||
| Fragments of Sorrow | Yoko Shimomura | D Major | 7 | 10B | 144 BPM | ||
| Vs. Metal Sonic | Tee Lopes, Naofumi Hataya | A♭ Major | 9 | 4B | 180 BPM | ||
| Edge of Existence | Yoko Shimomura | F Minor | 8 | 4A | 136 BPM | ||
| Japonesque | Hirofumi Murasaki Morihiko Akiyama & Masayuki Nagao | F Minor | 9 | 4A | 150 BPM | ||
| Forest | Akira Yamaoka | C Minor | 1 | 5A | 74 BPM | ||
| Slow Moon | Yuzo Koshiro, Motohiro Kawashima 川島 基宏 | G Major | 8 | 9B | 100 BPM | ||
| Shape Da Future | Hideki Naganuma | D♭ Major | 10 | 3B | 132 BPM | ||
| Theme of Blanka | Keiki Kobayashi | B Minor | 10 | 10A | 146 BPM | ||
| Wake your fury and wait in hell (Vergil Mission Start) | Akihiko Narita, Casey Edwards | C Minor | 2 | 5A | 94 BPM | ||
| The Glint of Cold Steel | Falcom Sound Team jdk | D♭ Major | 9 | 3B | 156 BPM |