"Pull The Trigger" by Abel Korzeniowski had its release date on January 1, 2014. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Pull The Trigger's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Penny Dreadful (Music From The Showtime Original Series)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Pull The Trigger is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pull The Trigger by Abel Korzeniowski having a BPM of 57 with a half-time of 28 BPM and a double-time of 114 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rejection | Abel Korzeniowski | G Minor | 1 | 6A | 61 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Deep Cover | Jordan Clark, Jokardon | C Major | 3 | 8B | 130 BPM | ||
| Music Therapy | Visha Khan, Tune | C Major | 2 | 8B | 86 BPM | ||
| Common Red Fox | Abel Korzeniowski | A Minor | 1 | 8A | 135 BPM | ||
| Pan's Labyrinth Lullaby | Javier Navarrete | C Minor | 1 | 5A | 71 BPM | ||
| Veranos De Oscuridad | Noches Eternas | D Major | 1 | 10B | 132 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Mercedes Lullaby | Javier Navarrete | F Minor | 1 | 4A | 76 BPM | ||
| Plague To The Pharaohs | Dominic Lewis | F Minor | 3 | 4A | 130 BPM | ||
| It's My Fault - End Credits | Roque Baños | G Minor | 1 | 6A | 85 BPM | ||
| The Uninvited | Christopher Young | G Minor | 1 | 6A | 114 BPM | ||
| The Far Road | Nick Cave & Warren Ellis | A Minor | 1 | 8A | 118 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| Mad Era | Really Slow Motion | G Minor | 1 | 6A | 120 BPM | ||
| Kayla | Harry Gregson-Williams | C Minor | 0 | 5A | 92 BPM | ||
| Kite | Coby Brown | B Minor | 1 | 10A | 144 BPM | ||
| Soul Battles | City & Vine | G Minor | 2 | 6A | 126 BPM | ||
| You Are Gonna Die | Marc Streitenfeld | E♭ Major | 1 | 5B | 84 BPM | ||
| A Fraser Officer Survived | Bear McCreary | D Minor | 2 | 7A | 77 BPM | ||
| You're Worth It | Joseph Trapanese | E Major | 1 | 12B | 68 BPM | ||
| For the Love of England | Chris Egan, Samuel Sim | A Minor | 3 | 8A | 84 BPM | ||
| Disclosure in Reach | Blair Mowat | C Major | 1 | 8B | 66 BPM | ||
| Walking Out | Peter Gregson | A♭ Minor | 0 | 1A | 86 BPM | ||
| Great Sacrifices - 2025 Remaster | Daniel Ciurlizza | B Minor | 3 | 10A | 98 BPM |