"Tour En L'air" by Richard Wagner, Charles Mathews had its release date on March 12, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Charles Mathews's "Music for Ballet Class - Volume 2" album is number 25 out of 33. On top of that, United States appears to be the country where this track was created. In terms of popularity, Tour En L'air is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tour En L'air by Richard Wagner, Charles Mathews to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 14 in C-Sharp Minor, Op. 131 - Version for String Orchestra by Dimitri Mitropoulos: 7. Allegro - Live | Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein | F♯ Minor | 2 | 11A | 133 BPM | ||
| Mozart: Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Wolfgang Sawallisch, Bayerisches Staatsorchester | E♭ Major | 1 | 5B | 80 BPM | ||
| Der Freischütz, J. 277, Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 5 | 11B | 91 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
| Wagner: Lohengrin, Act III: Prelude | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 3 | 9B | 85 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 6 in D Major (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 2 | 10B | 80 BPM | ||
| Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
| Symphony No. 8 in C Minor, Wab 108: IV. Finale. Feierlich, nicht schnell (Ed. R. Haas from 1887 and 1890 versions) | Anton Bruckner, SWR Sinfonieorchester des Südwestrundfunks, Michael Gielen | B♭ Minor | 1 | 3A | 79 BPM | ||
| Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus! | Gustav Mahler, Lorin Maazel, Wolfram Koloseus, Konzertvereinigung Wiener Staatsopernchor, ORF-Chor, Arnold Schoenberg Chor, Wiener Philharmoniker | D Major | 2 | 10B | 75 BPM | ||
| Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
| Requiem, K. 626: IIIa. Dies irae | Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | G Minor | 4 | 6A | 162 BPM | ||
| Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | A♭ Major | 2 | 4B | 78 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Kurt Sanderling, Berliner Symphoniker | A Major | 1 | 11B | 118 BPM | ||
| Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 5. Variation IV. Andante con moto | Wilhelm Furtwängler | E♭ Minor | 2 | 2A | 168 BPM | ||
| Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Marche hongroise | Hector Berlioz, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 2 | 11B | 93 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo - 2017 Remastered Version | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
| Carmina Burana: VI. Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM |