Borialis's ' "Why Oh Why" was released on its scheduled release date, 2004. Why Oh Why is explicit and may not be suitable for children. With the duration being about 3:51, this song is close to the average duration of a typical track. This song is part of What You Thought You Heard by Borialis. The song's track number on the album is #3 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Why Oh Why is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Why Oh Why by Borialis has a tempo of 180 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Why Oh Why being at 180 BPM, the half-time would be 90 BPM with a double-time of 360 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Human After All | Cinder | A♭ Major | 10 | 4B | 85 BPM | ||
| Pedal To The Metal | Mark Kasprzyk, Brian West, Kazzer | G Major | 10 | 9B | 113 BPM | ||
| Hands To The Roof | Bionic Jive | D♭ Major | 9 | 3B | 98 BPM | ||
| The Hey Man! | Emanuel | D♭ Major | 10 | 3B | 176 BPM | ||
| So Eager | Taproot | A Minor | 10 | 8A | 87 BPM | ||
| Kerosene | Mad at Gravity | F Minor | 9 | 4A | 196 BPM | ||
| Show Me A Sign | Breaking Point | B♭ Minor | 10 | 3A | 176 BPM | ||
| Union of Nothing | Point Defiance | G Minor | 10 | 6A | 168 BPM | ||
| Baby's Come Back | Span | A♭ Minor | 10 | 1A | 104 BPM | ||
| Life | Seven Wiser | D♭ Major | 9 | 3B | 196 BPM | ||
| Hypocritical | Methods of Mayhem | G Major | 10 | 9B | 106 BPM | ||
| When Animals Attack | Institute | E♭ Minor | 7 | 2A | 119 BPM | ||
| Dreamin' | Mark Kasprzyk, Ashton Price, Kazzer | B♭ Minor | 9 | 3A | 106 BPM | ||
| Little Baby Is Coming | The April Tears | D Major | 9 | 10B | 115 BPM | ||
| Flawless | Twin Method | G Major | 9 | 9B | 140 BPM | ||
| Everyday | Future Leaders of the World | B Major | 9 | 1B | 121 BPM | ||
| Looking Down | Audiovent | B♭ Major | 9 | 6B | 91 BPM | ||
| Tired | Pulse Ultra | A Major | 10 | 11B | 104 BPM | ||
| Take It with a Kiss | The Pistolas | F Minor | 9 | 4A | 124 BPM | ||
| The Fight Back | Superheist | B Major | 9 | 1B | 170 BPM | ||
| Steppin Away | Stereomud | A♭ Major | 10 | 4B | 175 BPM | ||
| Go | Steriogram | C Major | 10 | 8B | 126 BPM | ||
| No Light | 3rd Strike | D Major | 9 | 10B | 100 BPM | ||
| Fractured (Everything I Said Was True) | Taproot | C Major | 10 | 8B | 95 BPM | ||
| Letter to Myself | Mad at Gravity | C Minor | 9 | 5A | 178 BPM |