"Oceanus Procellarum 3" by Ensemble Resonanz, Elliott Sharp, Gareth Davis had its release date on May 19, 2017. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 5 in the song's album "Oceanus Procellarum". In this album, this song's track order is #3. Oceanus Procellarum 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oceanus Procellarum 3 by Ensemble Resonanz, Elliott Sharp, Gareth Davis having a BPM of 54 with a half-time of 27 BPM and a double-time of 108 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Schumann, Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 0 | 6B | 60 BPM | ||
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
| Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM | ||
| Sinfonia in D Major, Wq. 183.1, H. 663: I. Allegro di Molto | Carl Philipp Emanuel Bach, Ensemble Resonanz, Riccardo Minasi | D Minor | 0 | 7A | 126 BPM | ||
| III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Wiener KammerOrchester, Philippe Entremont | D Minor | 2 | 7A | 82 BPM | ||
| 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
| String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen": III. Scherzo (Allegro molto) | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
| Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
| Cello Concerto in A Minor, Wq.170: II. Andante | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | C Major | 1 | 8B | 104 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
| Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
| Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Minor | 2 | 9A | 119 BPM | ||
| Verklärte Nacht, Op. 4: V. Adagio (Molto tranquillo) | Arnold Schoenberg, Jean-Guihen Queyras, Ensemble Resonanz | E Minor | 0 | 9A | 85 BPM | ||
| Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Jean-Guihen Queyras, Ensemble Resonanz | E Minor | 0 | 9A | 85 BPM | ||
| Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | A Minor | 3 | 8A | 105 BPM | ||
| Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
| Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
| Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | D Major | 1 | 10B | 129 BPM | ||
| Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Salve a duo: III. Ad te clamamus. Largo | Joan Rossell, Ensemble Resonanz, Riccardo Minasi, Lucile Richardot | E♭ Major | 1 | 5B | 171 BPM | ||
| Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
| Stabat Mater, P. 77: X. Fac ut portem Christi mortem. Largo | Giovanni Battista Pergolesi, Ensemble Resonanz, Riccardo Minasi, Lucile Richardot | F Minor | 3 | 4A | 78 BPM |