On March 1, 2014, the song "Chori Se Ravan Ne Sita Churayi" was released by Munna Saini, Parvati Rajput. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Munna Saini, Parvati Rajput's "Jatashankar Anmol Vachan (Pt. 5)" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Chori Se Ravan Ne Sita Churayi is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chori Se Ravan Ne Sita Churayi by Munna Saini, Parvati Rajput to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sithniyan | Madan Bala Sindhu | A♭ Major | 5 | 4B | 99 BPM | ||
| Koi Pardesi Aaya Aaj Mere Gaon Me | Ashok Zakhmi | C Minor | 6 | 5A | 110 BPM | ||
| More Mann Chal Vrindavan Dham | Rajendra Vyas | D Major | 7 | 10B | 101 BPM | ||
| Shivne Bhajo Jiv Din Raat | Osman Mir | F Minor | 9 | 4A | 165 BPM | ||
| Thaara Rang Mahal Mein | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Yashomati Ko Ye Laal | Mukul Dwivedi | E♭ Minor | 7 | 2A | 165 BPM | ||
| Sach Kehta Hoon | Narendra Chanchal | A♭ Minor | 8 | 1A | 152 BPM | ||
| Godwal Godnawa | Minakshi Raj, Deva Lal Yadav | B Major | 7 | 1B | 168 BPM | ||
| Loki Khouray Pee Kay Kiwen | Sardool Sikander | B♭ Major | 5 | 6B | 117 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Kala Saante Achha Kamante | Arabinda Muduli | F♯ Major | 9 | 2B | 175 BPM | ||
| Meri Maiya Ne | Narendra Chanchal | F Minor | 6 | 4A | 91 BPM | ||
| Ro Lain De | Sanam Deep | D♭ Major | 5 | 3B | 112 BPM | ||
| He ri mai to prem deewani | Ayodhyadas Nimavat | A♭ Minor | 7 | 1A | 175 BPM | ||
| Jab Se Door Lage | Altaf Raja | B Minor | 6 | 10A | 137 BPM | ||
| Chennappa Chenne Gowda | B.K. Sumitra, Kasturi Shankar, Manjula Gururaj, Bangalore Sisters | F♯ Major | 9 | 2B | 197 BPM | ||
| Mahara Kirtan Mein | Manish Tiwari | A♭ Major | 6 | 4B | 116 BPM | ||
| Tika Kar Jave Chhinar Ko | Parvati Rajput, Ramkripal Ray | F♯ Major | 8 | 2B | 150 BPM | ||
| Nath Main Tharoji Tharo | Radha Krishna Maharaj | A♭ Major | 7 | 4B | 127 BPM | ||
| YA REY CHILIM HEE PETVA | Chhagan Chougule | F♯ Minor | 8 | 11A | 134 BPM | ||
| Chal Gori Khajurao Ghuma De | Munna Saini, Bhawna Bharti | A♭ Major | 5 | 4B | 79 BPM | ||
| Ve Man Mohanya Balak Natha | Karnail Rana | E♭ Major | 8 | 5B | 106 BPM | ||
| Eka To Bhakata Jiban | Anuradha Paudwal | D♭ Major | 5 | 3B | 105 BPM | ||
| Ganpati Raakho Meri Laaj | Manish Tiwari | D♭ Major | 5 | 3B | 135 BPM |