Cliff Martinez's 'The Target' had a release date set for November 4, 2014. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. The Target's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 30 in Far Cry 4 (Original Game Soundtrack) by Cliff Martinez. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, The Target is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Target by Cliff Martinez is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Particle Ghost | Valve | D Major | 2 | 10B | 100 BPM | ||
| Ashes to Ashes, Dusk to Dusk | Andrew Hulshult | F Minor | 6 | 4A | 160 BPM | ||
| Afghanistan's a Big Place | Ludvig Forssell | A Minor | 2 | 8A | 162 BPM | ||
| Anesthetized | Andrew Hulshult | B♭ Minor | 5 | 3A | 100 BPM | ||
| Doomhammer | Jeff van Dyck | G Major | 8 | 9B | 94 BPM | ||
| M.U.T.E. Protocol | Jon Opstad, Paul Haslinger | G Minor | 5 | 6A | 140 BPM | ||
| The Only Way Out Of This | Hans Zimmer, Steve Mazzaro, Andrew Kawczynski | D Major | 6 | 10B | 136 BPM | ||
| Snake | Avery Alexander | F Minor | 3 | 4A | 143 BPM | ||
| Assaulting Krom's Canyon | Raison Varner | C Major | 3 | 8B | 90 BPM | ||
| Wfo | Ramin Djawadi | B Minor | 9 | 10A | 102 BPM | ||
| Workmen | Frank Klepacki | D♭ Major | 8 | 3B | 105 BPM | ||
| Here They Come | Cliff Martinez | D♭ Major | 7 | 3B | 122 BPM | ||
| IP Tracking | Brian Reitzell | D Minor | 2 | 7A | 134 BPM | ||
| Hunting the Archon | John Paesano | C Major | 4 | 8B | 115 BPM | ||
| Withered Peace | Ludvig Forssell | A♭ Major | 3 | 4B | 94 BPM | ||
| Imagine Your Character | Joshua Carro | D Major | 5 | 10B | 145 BPM | ||
| Zulu-Tango | Audiomachine | A Major | 10 | 11B | 125 BPM | ||
| Night Encounters | Alain Johannes | A Major | 5 | 11B | 82 BPM | ||
| Whitehall | Christophe Beck | B♭ Major | 1 | 6B | 126 BPM | ||
| The Machine Crypt | Raison Varner | A♭ Major | 6 | 4B | 120 BPM | ||
| Neo Industrialist | Dynamedion | A♭ Major | 5 | 4B | 115 BPM | ||
| Jaardan | John Paesano | D♭ Major | 2 | 3B | 160 BPM | ||
| Take Down | Cliff Martinez | D♭ Major | 8 | 3B | 200 BPM | ||
| The Cistern | Bobby Tahouri | E Minor | 3 | 9A | 96 BPM | ||
| Let's Just Get Out of Here | Mike Zarin, Tony Hajjar | B Minor | 9 | 10A | 140 BPM |