Mathurbhai Kanjariya's ' "Meram Ne Manavo Koi" was released on its scheduled release date, May 5, 1998. This song appears to be safe for all ages as it is not explicit. The song is number 6 out of 6 in Devayat Pandit Vani by Mathurbhai Kanjariya. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Meram Ne Manavo Koi is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Meram Ne Manavo Koi by Mathurbhai Kanjariya is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Balako Ne Samjo | Devayat Khavad | D♭ Major | 6 | 3B | 140 BPM | ||
| Maro Helo Suno Ji Ramapeer | Prakash Mali | A♭ Major | 8 | 4B | 110 BPM | ||
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| Divalda Olvana Saguna | Ramesh Parmar | E Major | 6 | 12B | 148 BPM | ||
| Sanka Re Padi Ne Avdu Sujyu | Mathurbhai Kanjariya | F♯ Major | 6 | 2B | 101 BPM | ||
| Chamunda Chalisa | Ishardan Gadhvi | D♭ Major | 5 | 3B | 82 BPM | ||
| Tara Ghada Utha De | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | B♭ Minor | 9 | 3A | 88 BPM | ||
| Ame Maiyasha Kansra Jana | Raghuveer Kunchala | E♭ Major | 6 | 5B | 137 BPM | ||
| Ram Sabhama Ame Ramava Ne Gyata | Mathurbhai Kanjariya | F♯ Major | 4 | 2B | 105 BPM | ||
| Ye Duniya Kabhi Na Hui Kisi Ki | Pt. Gyanendra Sharma | B♭ Major | 7 | 6B | 98 BPM | ||
| Swaminarayan Hari Hari | Harikrishna Patel | F♯ Major | 8 | 2B | 133 BPM | ||
| Ram Aayenge | Muzic Mantra | A Minor | 8 | 8A | 93 BPM | ||
| Satadhar Na Samrath Santo | Suresh Raval, Mathurbhai Kanjariya | B Major | 5 | 1B | 106 BPM | ||
| Gufa Suhani Beech Bhawani Maa | Maithili Thakur | B♭ Major | 8 | 6B | 125 BPM | ||
| Sabre Muh Ra Bigde Gori Tene | Gafur Khan | F♯ Minor | 9 | 11A | 87 BPM | ||
| Meri Baat Ban Gai Hai Teri Bat Karte Karte | Bittu maharaj | G Major | 6 | 9B | 130 BPM | ||
| Aapne Piya Ki Meera | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Kailas ke nivasi | Ayodhyadas Nimavat | D♭ Minor | 5 | 12A | 109 BPM | ||
| Guru Kitana De Updesh | Bherusingh Chouhan, Nanuram Sanveriya | F♯ Major | 5 | 2B | 89 BPM | ||
| Ankh Khule Pe Rahe Badan Pe Sans Na | Satpal Dosa, Mainpal Baseda | E Major | 6 | 12B | 159 BPM | ||
| Meri Kutiya Ke Bhag Aaj Jag Jayega | Paras Jain | B Major | 8 | 1B | 110 BPM | ||
| Shyam Pe Bharosa Rakh | Raj Pareek | B♭ Minor | 6 | 3A | 139 BPM | ||
| Mata Jogida Me Liyo Avtar | Shyam Paliwal | C Minor | 8 | 5A | 99 BPM | ||
| Jhum Ke Aana hoga Mere Pitar Maharaj | Sunil Atawla | C Major | 10 | 8B | 127 BPM | ||
| Nenkiya Balak | Nimbaram Dewasi Party | A♭ Major | 8 | 4B | 106 BPM |