On January 1, 1990, the song "D-18 Song (Thank You, Mr. Martin)" was released by Norman Blake, Tony Rice. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Norman Blake & Tony Rice 2". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, D-18 Song (Thank You, Mr. Martin) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With D-18 Song (Thank You, Mr. Martin) by Norman Blake, Tony Rice having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Old Home Place | J.D. Crowe & The New South | B♭ Major | 5 | 6B | 123 BPM | ||
| Eight More Miles To Louisville | Norman Blake, Tony Rice | E Major | 2 | 12B | 112 BPM | ||
| Tall Pines | Laurie Lewis | D Major | 6 | 10B | 127 BPM | ||
| Blue Train | The Nashville Bluegrass Band | F♯ Minor | 3 | 11A | 126 BPM | ||
| Overblown | Wood & Wire | E Major | 6 | 12B | 121 BPM | ||
| The Last Thing On My Mind | Richard Bennett, Tony Rice | D Major | 4 | 10B | 111 BPM | ||
| Black Diamond Strings | Guy Clark | B Major | 2 | 1B | 78 BPM | ||
| Get Down On Your Knees And Pray | The Kentucky Colonels | B Major | 5 | 1B | 168 BPM | ||
| To Live Is to Fly | Peter Rowan, Tony Rice | F Major | 3 | 7B | 135 BPM | ||
| Will The Roses Bloom | Ricky Skaggs, Tony Rice | D Major | 3 | 10B | 203 BPM | ||
| Starlet Iris | East Nash Grass | G Major | 8 | 9B | 152 BPM | ||
| Come All Ye Fair And Tender Ladies (Arr. P. Isbey): Come All Ye Fair And Tender Ladies | Little Grasscals, Traditional | A Major | 4 | 11B | 108 BPM | ||
| Devil In Disguise | The Bluegrass Album Band | E♭ Major | 6 | 5B | 125 BPM | ||
| Red Bridge | Horseshoes & Hand Grenades | E Major | 5 | 12B | 92 BPM | ||
| Dust Bowl Children | Peter Rowan, Tony Rice | C Major | 5 | 8B | 119 BPM | ||
| The Lost Mine of the Chisos | Bill Staines | B♭ Minor | 1 | 3A | 101 BPM | ||
| Ten Degrees | J.D. Crowe & The New South | C Major | 4 | 8B | 101 BPM | ||
| Dark Hollow | The Del McCoury Band | G Major | 7 | 9B | 109 BPM | ||
| City Of New Orleans | The Seldom Scene | D Major | 5 | 10B | 118 BPM | ||
| Fifty Miles of Elbow Room | Iris DeMent | B Major | 3 | 1B | 96 BPM | ||
| Backtrackin' | The Nashville Bluegrass Band | F Major | 4 | 7B | 105 BPM | ||
| Sally Goodin | J.D. Crowe & The New South | A Major | 8 | 11B | 128 BPM | ||
| Carolina Star | Tony Rice | E Major | 5 | 12B | 113 BPM | ||
| Cheyenne | The Bluegrass Album Band | D Minor | 4 | 7A | 115 BPM | ||
| Fox on the Run | Tony Trischka | B♭ Major | 5 | 6B | 113 BPM |