"5: 50" by Cinema Perdu had its release date on May 11, 2018. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 2 out of 6 in Amsterdam Cs by Cinema Perdu. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 5: 50 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5: 50 by Cinema Perdu is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Night Becomes Morning | Atrium Carceri, Cities Last Broadcast | D Major | 0 | 10B | 67 BPM | ||
| Effe Zitte | Knalpot, Raphael Vanoli, Gerri Jäger, Sandor Caron | D Major | 7 | 10B | 89 BPM | ||
| In an Arched World | Apocryphos, Kammarheit, Atrium Carceri | C Major | 1 | 8B | 84 BPM | ||
| Moerasruiter | Jeroen Diepenmaat, Twan Sallaerts | F♯ Major | 3 | 2B | 177 BPM | ||
| Endless Winter | No Rest for the Forsaken | A♭ Major | 1 | 4B | 82 BPM | ||
| Naunet | Messa | A♭ Major | 4 | 4B | 66 BPM | ||
| Variations Électroniques: A Light and Frolic Experiment in Sound and Movement | Henk Badings | F♯ Minor | 2 | 11A | 178 BPM | ||
| Malevolent | Erebos | E Minor | 0 | 9A | 81 BPM | ||
| Unsanguine | Borough Bound | B♭ Minor | 5 | 3A | 106 BPM | ||
| Why I'm Here | dxnrm | B♭ Minor | 0 | 3A | 82 BPM | ||
| Newfound (Outtake) | Rutger Zuydervelt | B Minor | 1 | 10A | 80 BPM | ||
| space 9 | Unworn | D Major | 3 | 10B | 76 BPM | ||
| FFT (Tumbling Impulses) | Edwin Van Der Heide | D♭ Major | 4 | 3B | 129 BPM | ||
| apricity | LochHaven, Luna Harley | D♭ Major | 1 | 3B | 73 BPM | ||
| A Lovesong (For Cubs) +, Pt. 3 | Stars Of The Lid | G Major | 0 | 9B | 66 BPM | ||
| Mirror Medusa | Lisa Gerrard | C Minor | 1 | 5A | 112 BPM | ||
| space 1 | Unworn | G Minor | 4 | 6A | 90 BPM | ||
| Oxycodone | Ben Salisbury, Geoff Barrow | A Major | 1 | 11B | 77 BPM | ||
| Smitten | Basal Complex | N/A | N/A | N/A | 0 BPM | ||
| Dark Resonance | Myers Music | C Major | 0 | 8B | 84 BPM | ||
| Terezin | Franz Fjödor | B♭ Minor | 4 | 3A | 121 BPM | ||
| Along the Old Tracks in the Snow Shed | Flatsound | D Major | 3 | 10B | 86 BPM | ||
| Doop 2 | Shitcluster | D♭ Major | 7 | 3B | 134 BPM | ||
| Crop. Circle '3 | Boca Raton | B Minor | 1 | 10A | 112 BPM | ||
| Morning, Dear Morning | A Million Squeeks Will Do You No Harm | C Major | 2 | 8B | 88 BPM |