"Final Confrontation" by Max LL had its release date on September 29, 2015. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Max LL's "Jotun (Original Game Soundtrack)" album is number 19 out of 20. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Final Confrontation's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Final Confrontation by Max LL to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Avarice | David Fenn | A Major | 8 | 11B | 105 BPM | ||
| The Wages of Treason | Doyle W. Donehoo | D Minor | 5 | 7A | 140 BPM | ||
| Echoes of Aeor | Critical Role, Omar Fadel | D Major | 3 | 10B | 95 BPM | ||
| Promise of Two | NCSOUND | D Major | 2 | 10B | 86 BPM | ||
| The Secret World | Simon Poole | F Major | 4 | 7B | 83 BPM | ||
| Wither All Life and Love | Thomas Bergersen | C Minor | 3 | 5A | 118 BPM | ||
| The Pride of the Arena | Niels van der Leest | E Major | 7 | 12B | 164 BPM | ||
| Auriga's Song (Main Title) | Arnaud Roy | F Major | 4 | 7B | 176 BPM | ||
| Hordebreaker | Will Savino | E Minor | 9 | 9A | 90 BPM | ||
| A March Across Ancient Land | John Abbot | E♭ Minor | 1 | 2A | 181 BPM | ||
| Waves Will Bury You | Maxi Göthling | G Major | 2 | 9B | 110 BPM | ||
| Red Broth | Keith Power | D♭ Major | 8 | 3B | 147 BPM | ||
| Aapo's Theme | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | B Minor | 4 | 10A | 82 BPM | ||
| Surprise Ambush | Zac Tiessen, Yoed Nir | A♭ Major | 6 | 4B | 128 BPM | ||
| Life Sentence | Darren Korb | A♭ Major | 1 | 4B | 0 BPM | ||
| The Blasted Heath | Stuart Chatwood | G Minor | 7 | 6A | 80 BPM | ||
| Mind Palace | Max LL | A Minor | 3 | 8A | 80 BPM | ||
| Threshold | Austin Wintory | D♭ Minor | 2 | 12A | 72 BPM | ||
| Starward Gaze (Song of Elysium) | Dmitry V. Silantyev | E♭ Major | 4 | 5B | 117 BPM | ||
| Title Theme | Russell Shaw | A♭ Major | 1 | 4B | 145 BPM | ||
| Japan (The Atomic Era) | Geoff Knorr, Phill Boucher | E Minor | 3 | 9A | 96 BPM | ||
| Welcome to the Marauder Corps | Stephen Barton | D Minor | 5 | 7A | 180 BPM | ||
| Hand of the King | Yoann Laulan | E♭ Major | 7 | 5B | 84 BPM | ||
| Deliverance | Bear McCreary | D♭ Major | 5 | 3B | 80 BPM | ||
| Deal of the Next Millennia | Jeff van Dyck | E♭ Major | 3 | 5B | 179 BPM |