Andrei Krylov's ' "Fortuna for Renaissance Lute From Netherlands" was released on its scheduled release date, January 1, 1998. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andrei Krylov's "Lute & Guitar music of Renaissance Holland, Germany, England, France, Italy, Spain" album is number 3 out of 48. Based on our statistics, Fortuna for Renaissance Lute From Netherlands's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Fortuna for Renaissance Lute From Netherlands by Andrei Krylov to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
| John Dowland: Orlando Sleepeth | Julian Bream | C Major | 0 | 8B | 134 BPM | ||
| Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM | ||
| Libera Nos, Salva Nos à 5 | Thomas Tallis, Fretwork | C Minor | 0 | 5A | 131 BPM | ||
| Ferita d’Amore Gagliarda | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 2 | 2B | 137 BPM | ||
| Ouer the Dek Davie | The Royal Wind Music | B Major | 2 | 1B | 102 BPM | ||
| Tarantelas | Santiago De Murcia, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | B Major | 1 | 1B | 73 BPM | ||
| Sunday Morning Overcast | Andrew York | E Minor | 2 | 9A | 127 BPM | ||
| Douglas and Fiona Shearer | Ensemble Galilei | D Major | 1 | 10B | 110 BPM | ||
| Preludio en Mi Mayor | Francisco Tárrega, Ana María Archilés | D Minor | 1 | 7A | 128 BPM | ||
| Sicilienne | Donald Sosin, Maria Theresia von Paradis, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 72 BPM | ||
| Les Bergeries | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| John Come Kiss Me Now | Ensemble Galilei | D Major | 3 | 10B | 166 BPM | ||
| Passacaglia for solo lute | Heinrich Ignaz Franz von Biber, Romanesca, Andrew Manze | E Minor | 0 | 9A | 128 BPM | ||
| Bach, J.S.: Prelude Fugue & Allegro in E-Flat Major, BWV 998: II. Fugue | Johann Sebastian Bach, Julian Bream | D Major | 1 | 10B | 137 BPM | ||
| Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
| Danza alta, sobre "la Spagna" | Francesco de la Torre, Atrium Musicae de Madrid, Gregorio Paniagua | A Minor | 2 | 8A | 102 BPM | ||
| Lute Sonata in G Minor, Op. 1, No. 4: I. Largo | Adam Falckenhagen, Andrew Maginley | D♭ Major | 0 | 3B | 137 BPM | ||
| Alemanda (Anonim) for Sixteen Century Lute | Andrei Krylov | D♭ Minor | 2 | 12A | 121 BPM | ||
| Variationen 'Nun sich der Tag geendet hat' | Adam Falkenhagen, Lutz Kirchhof | F♯ Minor | 2 | 11A | 103 BPM | ||
| De Fuenllana : Christe | Heringman | A Minor | 0 | 8A | 62 BPM | ||
| 6 Schubertian Songs (arr. J. Mertz for guitar): Winterreise, Op. 89, D. 911: No. 13. Die Post (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 99 BPM | ||
| Athol Highlanders | Lana Ross, Anna Moor, Andrei Krylov | D Major | 2 | 10B | 102 BPM | ||
| Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
| Bransle de Poictou | Pierre Attaingnant, Hopkinson Smith | E Major | 1 | 12B | 136 BPM |