Fred Astaire's ' "Cheek to Cheek" was released on its scheduled release date, 1932. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "The Great American Songbook". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The popularity of Cheek to Cheek is currently average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Cheek to Cheek by Fred Astaire having a BPM of 162 with a half-time of 81 BPM and a double-time of 324 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| C'est Magnifique (Can Can) | Eartha Kitt | E Minor | 4 | 9A | 123 BPM | ||
| I Get Ideas (When We Are Dancing) | Tony Martin | G Major | 2 | 9B | 201 BPM | ||
| Masquerade | Jack Hylton & His Orchestra | F Major | 2 | 7B | 178 BPM | ||
| Monday Again | Nat King Cole Trio | D Minor | 0 | 7A | 68 BPM | ||
| Let's Misbehave | Irving Aaronson and His Commanders | G Major | 3 | 9B | 104 BPM | ||
| Goodnight, Sweetheart, Goodnight | The McGuire Sisters | F Major | 2 | 7B | 70 BPM | ||
| Mairzy doats | The Pied Pipers | F Minor | 4 | 4A | 136 BPM | ||
| Stardust | Artie Shaw | F Major | 2 | 7B | 85 BPM | ||
| Summertime | The Sign Posters | B♭ Minor | 2 | 3A | 100 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| Hey There | Sammy Davis Jr. | F Major | 2 | 7B | 135 BPM | ||
| Moonlight Becomes You | Bobby Sherwood And His Orchestra, Kitty Kallen | D Minor | 1 | 7A | 86 BPM | ||
| Hello My Baby, Hello My Honey | Keefe Brasselle | F Major | 3 | 7B | 175 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| Sh-Boom (Life Could Be a Dream) | The Crew Cuts | D Minor | 2 | 7A | 130 BPM | ||
| Smoke Gets In Your Eyes | The Platters | E♭ Major | 3 | 5B | 171 BPM | ||
| All Of Me | Martha Tilton | F Major | 1 | 7B | 124 BPM | ||
| All the Things You Are | Helen Forrest, Artie Shaw | C Major | 1 | 8B | 114 BPM | ||
| Who | Jack Buchanan | B♭ Minor | 3 | 3A | 84 BPM | ||
| If I Had You | Jimmy Durante | B Minor | 3 | 10A | 85 BPM | ||
| Body And Soul | Teddy Wilson, Benny Carter | B♭ Minor | 2 | 3A | 95 BPM | ||
| They All Laughed | Fred Astaire | B Minor | 0 | 10A | 106 BPM | ||
| On The Sunny Side Of The Street - 1993 Digital Remaster | Nat King Cole Trio | F Minor | 1 | 4A | 126 BPM | ||
| Love Me Or Leave Me | Sammy Davis Jr. | A Major | 5 | 11B | 148 BPM | ||
| American Patrol | Members Of The Glenn Miller Orchestra | G Minor | 2 | 6A | 181 BPM |