"Francesca da Rimini, Act II: Paolo! …Francesca! (Live)" by Riccardo Zandonai, Renato Cioni, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Eno Mucchiutti, Claudio Giombi, Franco Capuana had its release date on August 1, 2014. This song appears to be safe for all ages as it is not explicit. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Raimondo Botteghelli, Renato Cioni, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Mario Ferrara, Anna Gasparini, Leyla Gencer, Claudio Giombi, Rosa Laghezza, Silvana Alessio Martinelli, Eno Mucchiutti, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Enzo Viaro, Franco Capuana. The song's track number on the album is #11 out of 31 tracks. Based on our data, United States was the country where this track was produced or recorded. Francesca da Rimini, Act II: Paolo! …Francesca! (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act II: Paolo! …Francesca! (Live) by Riccardo Zandonai, Renato Cioni, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Eno Mucchiutti, Claudio Giombi, Franco Capuana has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Act II: Paolo! …Francesca! (Live) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wagner: Der fliegende Holländer, WWV 63, Act 2: "Auf hohem Felsen lag ich träumend" (Erik, Senta) | Richard Wagner, Otto Klemperer, Anja Silja, Ernst Kozub, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 73 BPM | ||
| Don Pasquale, Act I Terza Scena: Ah! Mi fa il destin mendico (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | E♭ Major | 3 | 5B | 65 BPM | ||
| Verdi: Macbeth, Act 1: S'allontanarono! (Streghe) | Giuseppe Verdi, Ambrosian Opera Chorus/John McCarthy/New Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, New Philharmonia Orchestra | D Major | 3 | 10B | 128 BPM | ||
| Ultima rosa | Riccardo Zandonai, Ida Fratta, Gianna Fratta | G Minor | 0 | 6A | 88 BPM | ||
| Bellini: I puritani: "Or dove fuggo io mai?" (Riccardo, Bruno) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| Tosca, Act I: "Ah, quegli occhi!" - "Qual occhio al mondo" | Giacomo Puccini, Jonas Kaufmann, Sonya Yoncheva, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Minor | 2 | 12A | 59 BPM | ||
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Caballeria Rusticana: "Voi lo Sapete, o mamma" | Victoria de los Ángeles | E Minor | 2 | 9A | 87 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Simon Boccanegra: Prologo: Suona ogni labbro il mio nome (Simone, Fiesco) | Giuseppe Verdi, Ludovic Tezier, Michele Pertusi, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | E Minor | 1 | 9A | 83 BPM | ||
| La alegría del batallón: "Aquí está quien lo tiene tó y no tiene ná" (Tajuña) | Jose Serrano, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 75 BPM | ||
| La traviata / Act 2: "Imponete" "Non amarlo ditegli" | Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 77 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Le ciel est bleu !" (Chœur, Nourabad, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Jacques Mars, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 1 | 7B | 86 BPM | ||
| Puccini: Turandot, Act 1: "Fermo! che fai? T'arresta!" (Coro, Calaf, Pong, Pang, Ping) | Giacomo Puccini, Francesco Molinari-Pradelli, Franco Corelli, Franco Ricciardi, Guido Mazzini, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 0 | 3B | 109 BPM | ||
| Carmen / Act 1: Tu la verras! Eh bien! | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 73 BPM | ||
| Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Puccini : Turandot : Act 3 "Tu che di gel sei cinta" [Liù] | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | B♭ Minor | 2 | 3A | 118 BPM |